Showing results for "Up" in African American Studies

In the South of the 1890s, Booker T. Washington stood as the often controversial personification of the aspirations of the Black masses. The Civil War had ended, casting uneducated Blacks adrift or, equally tenuous, creating a class of sharecroppers still dependent on the whims of their former owners. Black Reconstruction, for all its outward trimming, had failed to deliver its promised economic and political empowerment.

Booker T. Washington’s 1901 autobiography can be read as a redemption story echoing many similar voices of its time. Starting from the humiliation he experienced as a slave, he ponders the meaning of identity in a situation that seeks to dehumanize. He furthers his story by expanding on his difficulties in obtaining an education and the need for change in our minds as well as societal structures.

Mr. Washington was born a slave. His family, freed after the Civil War, struggled for a livelihood under terrible conditions. Mr. Washington, however, was determined to be educated, and he took advantage of every opportunity to learn available to him. He rose from poverty and ignorance to help found Tuskegee University. This audiobook should be an inspiration to all who listen.

In Hands Up, Don't Shoot, Jennifer Cobbina draws on in-depth interviews with nearly 200 residents of Ferguson and Baltimore, conducted within two months of the deaths of Michael Brown and Freddie Gray. She examines how protestors in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters.

In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Record producers and songwriters broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

What would life be like for a Black boy growing up in Nazi Germany? This unprecedented autobiography answers that question with the spellbinding true story of Hans J. Massaquoi’s life in Hamburg during the height of Hitler’s regime. Hans is the son of a Black Liberian diplomat father and a white German mother. His father returns to Africa at the beginning of the war, leaving them behind in poverty without the means to flee. Within this tense atmosphere, increasingly violent Nazi policies and Allied bombing raids make Hans and his mother’s lives a day-to-day survival struggle.