Showing results for "Virginia" in LGBTQ+

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

War witch Joan Matthews wants little more than to build a life with Leigh Phan. Their hometown is rebuilding under Joan's protection, but not everyone is happy with her solution to the most recent vampire crisis. Meanwhile, Leigh's bloodling powers lead to unforeseen consequences, and Joan is forced to honor a favor owed to a dangerous foe. Neither knows a greater threat lurks behind seemingly unrelated attacks across the land.

Meet Orlando: a young nobleman in Elizabethan England, poet, lover, adventurer—and, after a transformational sleep, a woman. Spanning over 300 years of British history, Orlando bends the rules of time, gender, and narrative as its protagonist navigates shifting societies, identities, and expectations, all while seeking something elusive: the truth of the self. Playful, profound, and radically ahead of its time, Virginia Woolf's groundbreaking novel is part love letter, part satire, and part meditation on the fluid nature of existence.

Bookish, snarky, and fiercely independent Nate Boudreaux leads a solitary life. Between teaching classes at the university and working toward his PhD, he doesn’t need a partner to occupy his time, and he certainly doesn’t need a man like Alistair Drake complicating his future. Alistair Drake, black sheep of the tremendously wealthy Drake family, is more interested in adding another notch to his bedpost than another zero to his bank account.

Kyran Loyal is the last heir to the lost throne of a forgotten planet, the figurehead of a nomadic people fleeing the galactic tyranny of a brutal regime. Davia Sifane is the unrecognized daughter of an imperial despot. When happenstance pits them against each other in battle, neither expects the outcome: they are the only two people to survive. Marooned on a barren moon, their only hope of survival is to rely on each other, but what they learn will either kill them or change the galaxy forever.

Like her father before her, Joan Matthews is a witch. For generations, their family of binder witches has protected Calvert, Oregon from vampires by strengthening the land with spellcraft. Pushing back against tradition, Joan defied her father and left town to become a war witch, one who fights the monsters hand-to-hand. But when her father dies, Joan returns to find her hometown assailed by a vampire lord's endless attacks—and the answers lie with the one woman who chose a rival over Joan.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

Zu schlau'n'schlank für ein bestimmtes Geschlecht? - Virginia Woolfs "Orlando" geistert durch vier Jahrhunderte. Mal als Mann, mal als Frau mischt er/sie historische Genderrollen auf und ist dabei doch immer dicht beim alten Shakespeare. Orlandos epische Zeit- und Weltreise, nimmt uns mit auf eine furiose Achterbahnfahrt der Gefühle. So wild die Kapriolen und so amüsant die Hakenschläge auch sein mögen, sind sie doch unerschütterlich durchtränkt von echt britischem Humor. Orlando, das ist Verführung pur.

“Tu sei fatta per correre e ogni tanto fermarti a prendere fiato” dice a Nina il marito Michele, che la conosce bene, la ama e con lei ha avuto cinque figli e aperto una piccola catena di librerie. Nina corre sempre, come molte donne, e si divide tra la famiglia e i clienti, che nella Tana di Michele, la più speciale delle loro librerie, possono gustare le sue squisite crostate e sorseggiare tè profumato. Ma Nina ha freddo: è sopraggiunto l’inverno, gli abiti sono pesanti, gli impegni si accavallano, la luce si nega.