Showing results for "Voice" in Ancient, Classical & Medieval Literature

A Room of One's Own, among Virginia Woolf's best-known works, is an extended essay, based on two lectures that she delivered in October 1928 at Newnham College and Girton College, women's constituent colleges at the University of Cambridge. First published in September 1929 as a book, this seminal feminist text makes a case for a literal and figurative space for women writers within a literary tradition dominated by men.

Immerse yourself in the profound wisdom and lyrical beauty of Kahlil Gibran’s collected works. From The Prophet to The Broken Wings and Sand and Foam, Gibran’s writings explore the depths of the human spirit and offer timeless insights into love, life, and spirituality. His poetic prose resonates with profound truths, touching hearts and inspiring souls across generations.

Travel back in time to 16th century Denmark, as renowned vocal actor David Ian Davies introduces you to Shakespeare's timeless play, Hamlet. Filled with all of the excitement and zest you would expect from the Bard, this production is an audio treasure from beginning to end.

"To call this only a 'reading' of the classic Sherlock Holmes story would be to devalue the beauty of the performance. Although you may have heard recordings of the Sherlock Holmes work before with distance and haughty affectation, none of that is present in Mr. Davies storytelling performance. This features one man, many voices and a hefty portion of talent. This performance is fresh, approachable and inviting." ( Storyteller.net Review)

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

This meditation on artistic creativity was written during the latter months of 1815, during a sojourn on the border of Windsor Forest. Critics have concurred in the opinion that the anonymous hero of the poem is Shelley himself, who feared that he too would become an "inheritor of unfulfilled renown". Today, the poem is considered to be the first major work of Shelley's maturity.