Showing results for "Voice" in Film & TV

It’s never as simple as just speaking; there’s a real trick to it. We’ll talk through cadence and tone, how to form concise sentence structure on the fly, and how to keep people interested in what you have to say.

In honor of the 25th anniversary of The Fellowship of the Ring, this special audiobook edition features a new epilogue by the author, reflecting on how The Lord of the Rings franchise has continued to expand across films, games, merchandise, and fan culture since the book’s original publication.

2019年7月27日に行われた公演【Voice-Stage「本番です！」】を完全収録！！

A Waterstones Best Book of 2024 'Marriage to Mike Leigh, the minutiae of working on Gavin and Stacey: it's a tribute to her range that there's something here to interest everybody' Telegraph The first memoir from the national treasure, critically acclaimed actress and much-loved Gavin and Stacey...

Movies do more than tell a good story. They are expressions of raw emotion, naked vulnerability, and unbridled rage. They often function in the same way as prayers, communicating our deepest longings and joys to a God who hears each and every one. In this captivating book, Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies function as expressions to God of lament, praise, joy, confession, and more.

Paul Frees is the voice of your Ghost Host at Disneyland and Disneyworld's Haunted Mansion, the dastardly Boris Badenov from The Rocky and Bullwinkle Show, Professor Ludwig von Drake via the Wonderful World of Disney, the Pillsbury Doughboy, voices in George of the Jungle, half of the Beatles in their cartoon series, narrator of such classic films as The Manchurian Candidate, The Shaggy Dog, The War of the Worlds, and others.

In a genre-redefining first, Breakthrough is an electrifying, audio-only singing/songwriting competition series that strips away the superficial to reaffirm what matters most: pure talent.

The 1920s was a bustling time in Hollywood, as starry-eyed young women sought fame and fortune—only to discover that their dreams did not match the reality of the film industry. Edgcumb Pinchon was there to report on it all. He interviewed women who worked as “extras” in Hollywood, and was himself involved in the film business as a screenwriter and author. He describes here the hierarchy of those on set (in front of and behind the camera) with first-hand knowledge and humor.