Showing results for "Voices" in Popular Culture

The events of 1950-1999 are described by the people who saw them happen, from the Festival of Britain in 1951 through to the dawn of a new millennium at the end of 1999. In between are the eras of the Angry Young Men, the Teddy Boys and the Punk Rockers; the arrival of rock and roll and the permissive society; the advent of industrial strife in England and sectarian unrest in Northern Ireland; the rise to power of Margaret Thatcher; the miners' strike, three-day week and Winter of Discontent; the Queen's Silver Jubilee....

Raise your hand if you cringe at the sound of your own voice, worry that you actually do sound like your mother, or have spent a sleepless night wondering if your inner and outer voices are in sync. Now, hands down, headphones on. Lake Bell is going to tell you why you’re not alone and why your voice matters in the most deeply personal ways. Inside Voice unpacks the writer-director-producer-actor’s obsession with voice and all its permutations.

An Invitation to Community and Models for Connection After almost every presentation activist and writer Mia Birdsong gives to executives, think tanks, and policy makers, one of those leaders quietly confesses how much they long for the profound community she describes. They have family, friends...

Veteran award-winning radio theater wizard Joe Bevilacqua interviews famous voice actors about their lives and craft. Interviewees include cartoon voice legend June Foray; Fred Frees, voice actor and son of the legendary Paul Frees; Bob Bergen, the current voice of Porky Pig; Phillip Proctor, actor, writer, comedian, and Firesign Theatre founding member; Joe Alaskey, the current voice Bugs Bunny, Daffy Duck, and Sylvester; and Noel Blanc, son of voice legend Mel Blanc.

Broken down by a variety of subject matter, each section begins with a selection from an interview between NBA star Etan Thomas and political sportswriter Dave Zirin, followed by a Thomas poem and the writings of talented young poets.

El orientalismo, considerado en su generalidad, nos enfrenta a problemas que conciernen directamente a la identidad de Occidente, más allá de cualquier discurso estereotipado, en particular al deseo latente de retornar a los dominios de la irracionalidad o a la pulsión jerárquica, entrevistos en el Oriente. Al fin y al cabo, como demuestra el «orientalismo doméstico», el Oriente es parte de nosotros mismos, de nuestra imagen reflejada en el espejo de lo imaginario a través de diferentes medios expresivos, que todos han tomado la perspectiva como forma de contemplarlo en la distancia.