Showing results for "Volume" in Poetry

THE RAMAYANAM, an itihasa of the highest order, is considered adi kavya, the first poem to have been composed. Written by Valm ki during Rama’s time, and ratified by him, this timeless epic has been treated with utmost care by all acaryas in their famed commentaries. Since the advent of human civilization, it has inspired many poets and dramatists across the subcontinent and has been transcreated in almost all Bharat ya languages. Multiple layers of philosophy and theology are an embellishment to this classic. Its influence on Bharat ya music, dance, sculpture and textiles is unfathomable.

Welcome to Edmund Spenser’s 1590s epic poem, The Faerie Queene. This text-faithful, line-by-line prose rendering transports modern listeners into a vast narrative tapestry. Knights traverse diverse fantastical landscapes including the shadowy depths of an enchanted forest, a treacherous underwater lair, a mysterious subterranean kingdom, and the deadly Bower of Bliss.

Many have attempted to read Spenser’s original masterpiece only to retreat, daunted by language that was deliberately archaic even in Elizabethan times. Classical educator Rebecca K. Reynolds bridges this gap, crafting a prose adaptation that gradually introduces more of Spenser’s distinctive vocabulary and diction. By the final volume, listeners will find themselves prepared to engage directly with Spenser’s original text with confidence and delight.

Welcome to Edmund Spenser’s 1590s epic poem, The Faerie Queene. This text-faithful, line-by-line prose rendering transports modern listeners into a vast narrative tapestry. Knights traverse diverse fantastical landscapes including the shadowy depths of an enchanted forest, a treacherous underwater lair, a mysterious subterranean kingdom, and the deadly Bower of Bliss.

Soft Thorns Vol. II is the continuation of author Bridgett Devoue’s debut poetry collection, Soft Thorns, and picks up on her journey of self-discovery and seeking answers to the questions all of our souls inevitably ask. Devoue is not known to shy away from the darkest corners of the human experience; in fact, she dives deep into those waters and allows the listener to explore the shared vulnerabilities that all of us face.

Who was the bestselling English poet of the nineteenth century? No, not Tennyson or Byron or Wordsworth—but Felicia Hemans (1793-1835), “the most considerable woman poet of the Romantic period” and “the most notable British poet flourishing between the death of Byron and the rise of Tennyson and the Brownings” (Oxford Dictionary of National Biography, 2008). With an unfailing and seemingly effortless command of language, she voiced the deepest concerns of ordinary people, especially women, to an extent that no other writer of her time could do.

Wolfram von Eschenbach, a knight and a poet from 13th century Germany, is the author of this Arthurian romance. Parzival is the revival and completion of a narrative left incomplete by its initiator Chrétien de Troyes. It follows Parzival from his boyhood and career as a knight at the court of King Arthur to his ultimate achievement as King of the Temple of the Grail. This is both a tale of chivalry, and an epic quest for spiritual insight, as the hero Parzival must overcome his pride, and learn to be humble before he can finally win the Holy Grail.

Parzival is a medieval epic poem written by the knight-poet Wolfram von Eschenbach. It is divided into 16 books, each composed of several 30-line stanzas of rhyming couplets. Regarded as one of the literary masterpieces of the Middle Ages, the romantic poem commonly dated to the early part of the 13th century. The verse narrative focuses on the Arthurian hero Parzival and his long quest for the Holy Grail after his initial failure to achieve it.

Fiction, poetry, and music come together to create something new: Verb. Original stories and poems you won't find anywhere else, by the best writers in the country, brought to you in an innovative format. Verb is the ancient oral tradition and the venerable literary magazine combined into a fresh new package: the audioquarterly.

L. E. L. was the pen-name of Letitia Elizabeth Landon (1802-1838), a “wild and wayward girl” whose outspoken poems about love, hypocrisy, social injustice, religions, and death were discussed and debated avidly during her short life, but lost favor afterwards as Victorian notions of propriety became dominant. This wide-ranging collection includes 60 of her most characteristic poems.

Lydia Huntley Sigourney (1791-1864) was perhaps the most popular and influential American poet of her time. Deeply concerned with social injustices of all kinds, she was already speaking out against such problems as slavery, war, and the persistent mistreatment of Native Americans as early as the 1820s. She was equally at home in comedy and tragedy, and continued to publish with unabated zest and incisiveness for half a century. In all, she is estimated to have written over 2,000 poems.

Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award-winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent black spirit to revolt and to inhabit the revolting.

As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this problem by recovering archival materials from these understudied, though supremely gifted, African American poets of the 19th and 20th centuries.

Silence is rare in Nature. When we really listen, Nature is conducting symphonies of sound as her world goes about the day and night. Her invisible heartbeat is everywhere, for everyone. Our eyes are constantly bathed in the wonder of her ways, the soft drizzle of rain from soft grey clouds, the bleached harsh desert sand of a noon day, a wave caressing the shore, to the ravenous colours of a departing sunset. Indeed, whenever we look and listen to the vastness of our world Nature’s beauty is always there for us..

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

For much of history women have been seen rather than heard. Their thoughts, their views, have lain too long in the shadows of our culture. Whilst this traditional view has some merit it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere.

Westminster Abbey has seen much during its long, rich history: the coronations of Kings and Queens, the burials of Prime Ministers. However, it is also a church that remembers the men and women of the arts. Dedicated writers and poets who spoke so eloquently that the nation wished to remember them with plaques upon its walls so that all who travelled here could remember, too. Their works are worth remembering, and here, in these volumes, their wise words speak, too, and for us all. In volume 3 we collect together Edward Lear to William Wordsworth.

For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture. Whilst this traditional view has some merit, it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

Romanticism was a new movement in philosophy and the arts that began in the late 18th century when major political events shook the world, such as the French Revolution and American independence. It marked a distinct contrast to the prevailing Enlightenment ideals and in poetry represented a more personal intuitive, emotional and meditative expression with a back-to-nature imperative. It subsequently altered the way in which we perceive poetry and beyond as well as defining our own modern sensibilities to the arts.

Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can.