Showing results for "WITCH" in Women's Fiction

How do we find the courage to always be true to ourselves—even if we are unsure of who we are? That is the central question of international bestselling author Paulo Coelho’s profound new work, The Witch of Portobello. It is the story of a mysterious woman named Athena, told by the many who...

Torie Bliss hasn't had a full night's sleep in weeks. Dark dreams claw at her mind, visions she hopes are only echoes of old trauma. But when eerie magic begins to ripple through Singing Falls, Torie starts to suspect her nightmares aren't just memories, they're warnings.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Madeline is missing. Ordered to find her, Madeline’s estranged niece, Fade, must return to the lonely forest of Willow Sound, Nova Scotia. There, Fade discovers her aunt’s once-cozy cottage empty and rotting. The ominous smell of something burnt hangs in the air. In her search for answers, Fade clashes with the people of Grand Tea, a nearby village struggling under the shadow of a massive, looming rock that could tip and crush them all at any time. For generations, they’ve invented bizarre lore about Madeline, calling her a witch and blaming her for their misfortunes.

Florence and Evie Caldwell have long disagreed on how to break their family’s curse, and tension has been high since their mother’s death thirteen years ago. Honeysuckle House, the family estate where every Caldwell has lived, now only houses one of the sisters. Evie has crafted it into an enchanted bed and breakfast while Florence runs a magical bookstore in town, refusing to even set foot inside Honeysuckle House.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

It seemed like the simplest of requests: break the fated-mate bond between two werewolves. Torie Bliss is finally starting to believe in second chances. Her magic is growing stronger, her found family has her back, and Elric, the brooding werewolf who always shows up when it matters, is becoming something more than just a friend. But peace never lasts long in Singing Falls.

Two women. A history of witchcraft. And a deep-rooted female power that sings across the centuries. Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin. Called instead to the tangled woods and wild cliffs surrounding...

A 39-year-old bookshop owner with chronic anxiety develops the magical ability to reunite lost objects with their owners. It's going to take all of her courage and the support of many great friends to step out of her comfort zone and into the types of adventures she used to only read about in her beloved books. Along the way, Juliette learns that she's tougher than she ever suspected and creates a life that is richer and more wonderful than she ever dared dream.

Clementine Waterhouse is a perfectly logical witch. She doesn't tumble headlong into love. Rather, she weighs the pros and cons and decides if a relationship is worth pursuing. At least that's always been her modus operandi before. She prefers being the one in charge, always the first to walk away when the time is right. Attraction has never struck her like lightning - until the witch hunter comes to town. Can the bossiest witch in town find a happy ending with the last person she should ever love?

1922. The town of Evermore off the coast of Ireland is under the protection of a Goddess. She has bestowed power upon village healer Brigid Heron to ensure the heart of magic within the Lough of Brionglóid—the lake of dreams—remains untouched. For the witches of Knight want to absorb its powerful energies and release the Damned from the Otherworld. Brigid has devoted her whole life to being Evermore’s guardian, immersing herself in witchcraft, and sacrificing her own dreams.

If there was one thing Torie Bliss knew, it was that her marriage and life of luxury were going to last for ever. Until they didn't. Torie finds herself doing the one thing she never imagined a woman over the age of forty would ever have to do: moving in with her mother. But that is exactly what she has to do as she picks up what's left of her life and dignity, and moves to Singing Falls. Little does Torie realize that not only had her mother settled into a town of supernaturals, but she herself was a witch, and it was Torie's destiny to take up the magical calling.

Forty and fabulous is my motto. It's been twenty years since I escaped Whispering Willows and my humble beginnings. Now I live in LA, working my dream job as head witch at a growing corporation, getting paid the big bucks to cast spells some might find morally questionable. Life is perfect. Until the night my boyfriend surprises me with a "romantic" getaway in the middle of nowhere, and I find a shovel and rope in his trunk. Romance is truly dead.

My name is Tamara Bentley, "Bent" to my friends, and I'm not supposed to exist. I was born of the forbidden union between a witch and a werewolf, and they've been trying their damnedest to hide my existence ever since. But now my secret is out, and my uncle, the leader of the wolf pack, is pissed beyond belief. In his eyes, I'm something that should've never been born. He wants me dead and doesn't care who he has to sacrifice to get the job done.

From a bestselling author, a "warm, witchy, and full of heart" family story that is the queer love-child of Practical Magic and The Parent Trap (Sarah Beth Durst). Beatrice Barnard doesn't believe in magic. She definitely doesn't believe the predictions of the celebrity psychic who claims that...

Becoming a widow on my fortieth birthday was not what I had planned. Even worse? It's forced me and my teenage daughter back to Whispering Willows and the life of magic I left behind. I tell myself it'll be a short trip to sell my mother's shop of wishes. Until I kind of, sort of bind myself to the shop. With bills piling up fast, I gotta do something I swore I never would: open shop and start granting wishes, just until I can figure out how to undo this pesky binding spell.

Chelsea Iversen's THE WITCHES AT THE END OF THE WORLD is a speculative novel set in 17th-century Norway about two sisters who find themselves at odds when one incites a dangerous curse against the village where their mother once lived; but you can't take back dark magic once it's been released, and they know, like their mother before them, that someone will have to burn—they are witches, after all.

My name's Tamara Bentley, and I should be happy to be heading home for the holidays. Too bad tensions between the supernatural forces surrounding my hometown are at an all-time high - witches and werewolves, ancient enemies who would happily slaughter each other. One side fears me, the other doesn't know I exist, and I aim to keep it that way, lest they both decide to find common ground in killing me.

When Gloria, the loathed office receptionist, is found dead - and Charlie admits to being the first person to talk to the victim after the murder - there's no turning back. The police, impressed by Charlie's psychic powers, insist on her help in their investigation, and Charlie soon discovers that Gloria more than lived up to her nickname of "the office witch" - she was a member of a local witches coven.

Mary and Sarah grow up amid Puritan superstition and piety, busy with their household chores, one imagining a life different from her mother's and the other eager to marry and bear sons. They spend their married lives in the villages of Springfield and Northampton, where a youthful disagreement festers into a reason to hate and then to fear. As the years pass, one accuses the other of murder by witchcraft, prompting a trial before the Court of Assistants in Boston—17 years before the infamous Salem Witch Trials.