Showing results for "Who's" in African American Studies

A classic in the black literary tradition, The Spook who Sat by the Door is both a comment on the civil rights problems in the United States in the late 1960s and a serious attempt to focus on the issue of black militancy. Dan Freeman, the "spook who sat by the door", is enlisted in the CIA's...

The first Black female CEO of a Fortune 500 company looks back at her life and her career at Xerox, sharing unique insights on American business and corporate life, the workers she has always valued, racial and economic justice, how greed is threatening democracy, and the obstacles she’s...

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

WINNER OF THE NAACP IMAGE AWARD A fun and thoughtful dictionary of Black language you didn’t know you needed, Historically Black Phrases is a love letter to the Black community and the ways it drives culture. “This perfect blend of explanation, definition and social commentary will have...

The author was born a slave on a plantation near Wilmington, North Carolina. He discusses the religious meetings he conducted as a slave near Wilmington, including encounters with patrols that attempted to prevent such meetings, and instances of benign social interaction between the races. This 1885 edition of Thomas H Jones's expanded 1862 edition of his memoir includes an addendum on his ministry during slavery and on his experiences as a minister on the abolitionist lecture circuit.

Police Against the Movement shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds.

An authoritative history of the overlooked youth activists that spearheaded the largest protests of the Civil Rights Movement and set the blueprint for future generations of activists to follow. Some of the most iconic images of the Civil Rights Movement are those of young people engaged in...