Showing results for "Y" in History & Criticism

Mais, loin d'être de simples contes de fée, ces dessins animés mythiques nous invitent à nous questionner sur notre rapport à la Nature, à l'animal et sur notre propre place sur Terre.

Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as "surreal" or "Kafkaesque." Alex Cox watched all the episodes of The Prisoner on their first broadcast, at the ripe old age of thirteen. In I Am (Not) a Number, Cox believes he provides the answers to all the questions which have engrossed and confounded viewers.

This updated and expanded edition of A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. Succinct yet comprehensive, this edition provides new information on contemporary horror, comic book, and franchise films; issues surrounding women and minority filmmakers; the effects of the COVID-19 pandemic on movies worldwide; the shift from film to digital production; the rising use of artificial intelligence in cinema; and the impact of streaming on the industry.

Written during the formative years of motion pictures, How to Write Photoplays (Third Edition) by Embrie Zuver is a practical, no-nonsense guide to storytelling in the silent-film era—when images carried meaning, structure was everything, and writers learned to think in reels rather than words.

A full-speed-ahead oral history of the nearly two-decade making of the cultural phenomenon Mad Max: Fury Road—with more than 130 new interviews with key members of the cast and crew, including Charlize Theron, Tom Hardy, and director George Miller, from the pop culture reporter for The New...

This is the full story of the unstoppable rise of Clarkson, Hammond, May and The Stig – and how they have transformed an ordinary programme about cars into one of the most famous and best-loved TV programmes of the 21st century. Reaching a peak in the 1990s thanks to presenter Jeremy Clarkson, the original series then faced the axe in 2001 – but Clarkson and producer Andy Wilman successfully pitched a new format to BBC bosses and Top Gear returned to become the irreverent, funny and often controversial show we now know and love.

The Rainbow Age of Television explores why queer people are so invested in—and conflicted by—the kinds of storytelling that TV has to offer. Above all, it's a celebration of the LGBTQIA+ shows, their characters, and their creators that define this new age in television.