Showing results for "aeschylus" in Arts & Entertainment

The Oresteia is a trilogy of Greek tragedies written by Aeschylus concerning the end of the curse on the House of Atreus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. When originally performed, it was accompanied by Proteus, a satyr play that would have followed the trilogy. Proteus has not survived, however. In all likelihood the term "Oresteia" originally referred to all four plays; today it generally designates only the ...

The Oresteia is a trilogy of Greek tragedies written by Aeschylus concerning the end of the curse on the House of Atreus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. When originally performed, it was accompanied by Proteus, a satyr play that would have followed the trilogy. Proteus has not survived, however. In all likelihood the term "Oresteia" originally referred to all four plays; today it generally designates only the ...

The Oresteia is a trilogy of Greek tragedies written by Aeschylus concerning the end of the curse on the House of Atreus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. When originally performed, it was accompanied by Proteus, a satyr play that would have followed the trilogy. Proteus has not survived, however. In all likelihood the term "Oresteia" originally referred to all four plays; today it generally designates only the ...

The Oresteia is a trilogy by Aeschylus, one of the foremost playwrights of ancient Greece. It encompasses three plays: Agamemnon, The Libation Bearers, and The Furies. It tells the tragic tale of the House of Atreus, whose inhabitants have been cursed and are doomed to play out their bloody, vengeful destinies. At the beginning of the first part, the Trojan War has ended and the Greek general, Agamemnon, is returning victorious to his wife Clytemnestra. Yet she finds it difficult to forgive his sacrifice of their daughter, Iphigenia, who was killed to ensure the Greek fleet fair winds in their...

The Oresteia is a trilogy of Greek tragedies written by Aeschylus concerning the end of the curse on the House of Atreus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. When originally performed, it was accompanied by Proteus, a satyr play that would have followed the trilogy. Proteus has not survived, however. In all likelihood the term "Oresteia" originally referred to all four plays; today it generally designates only the ...

The Oresteia is a trilogy of Greek tragedies written by Aeschylus concerning the end of the curse on the House of Atreus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. When originally performed, it was accompanied by Proteus, a satyr play that would have followed the trilogy. Proteus has not survived, however. In all likelihood the term "Oresteia" originally referred to all four plays; today it generally designates only the ...

This is one of the few Greek tragedies that deals with historical events rather than mythological ones. The elders of the Persian court await new of the outcome of the Battle of Salamis, and mourn when they find that their king, Xerxes, has lost to the Greeks. - Summary by Libby GohnCast ListNarrator: Mary JChorus of Persian Elders: Elizabeth Klett, Tara Flynn, Sarah TerryAtossa: Kristin GjerløwA Messenger: Libby GohnThe Ghost of Darius: Peter TuckerXerxes: ToddHW

The play Agamemnon details the homecoming of Agamemnon, King of Argos, from the Trojan War. Waiting at home for him is his wife, Clytemnestra, who has been planning his murder, partly as revenge for the sacrifice of their daughter, Iphigenia, and partly because in the ten years of Agamemnon's absence Clytemnestra has entered into an adulterous relationship with Aegisthus, Agamemnon's cousin and the sole survivor of a dispossessed branch of the family (Agamemnon's father, Atreus, killed and fed Aegisthus's brothers to Aegisthus's father, Thyestes, when he took power from him), who is determined...

"Prometheus Bound" is the only complete tragedy of the Prometheia trilogy, traditionally assumed to be the work of Aeschylus. Jupiter has turned against Prometheus for protecting mankind and has ordered him to be chained to a rock. But Prometheus is comforted by his knowledge of a way to bring about the downfall of Jupiter. (Summary by Libby Gohn) Cast:Narrator: Charlotte DuckettPrometheus: Jason MillsChorus of Nymphs, daughters of Ocean: Elizabeth KlettStrength: Bob NeufeldVulcan: Alan MapstoneOcean: Amanda FridayIo: AvailleMercury: balaAudio edited by: Libby Gohn

In this, the only extant tragedy from Aeschylus' trilogy about the House of Oedipus, Thebes is under siege from Polynices, a former prince of Thebes. After King Oedipus left his city and cursed the princes, Polynices and his brother, Eteocles, decided to rule alternately, switching at the end of every year. However, at the end of his year as king, Eteocles refused to turn power over to his brother and exiled him, fulfilling his father's curse that the two brothers could not rule peacefully. In the action of the play, Polynices and a group of Argive soldiers are attacking Thebes so that he can ...

The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the...

Aeschylus is de oudste van de drie grote Griekse tragici. Dertien keer winnaar van de tragische wedstrijden, is hij de auteur van ongeveer 110 kamers die we slechts zeven werden doorgegeven. De Aeschylus theater is vooral bekend om zijn dramatische kracht, spanning, angst die leeft zijn stukken, waarvan de samenhang is voornamelijk bestaat uit de progressie die verbonden trilogieën "gekoppeld", die vandaag overleeft de Oresteia.

The authorship of Prometheus Bound may be debated, but its message resonates powerfully as a testament to the spirit of free humanity challenging the often indifferent forces that govern our universe. This work stands as one of the most compelling manifestos of rebellion ever penned, captivating not just scholars of Greek drama but also a diverse range of translators since the early 19th century. Notable figures like Percy Bysshe Shelley, Elizabeth Barrett Browning, and activist-poet Augusta Webster have all sought to capture its essence in English. The rendition featured here is by Henry ...

Step into the world of ancient Greece with Persians, a rare Greek tragedy that transcends myth to explore real historical events. As the elders of the Persian court anxiously await news from the Battle of Salamis, their hopes turn to despair when they learn of their king Xerxes defeat at the hands of the Greeks. Join us for a poignant reflection on loss, power, and the consequences of war, beautifully narrated by an engaging cast. - Summary by Libby Gohn

The Oresteia is a powerful trilogy of Greek tragedies authored by Aeschylus that delves into the haunting legacy of the House of Atreus. Central to the narrative is Orestes, who embarks on a perilous journey to avenge his fathers murder, setting in motion a dramatic exploration of vengeance and justice. Recognized as the only surviving example of an ancient Greek theater trilogy, the Oresteia triumphed at the Dionysia festival in 458 BC. Originally performed alongside the satyr play Proteus—which unfortunately has not endured—this collection of works has come to embody the complexities of ...

Seven Against Thebes is the thrilling third play in Aeschyluss Oedipus-themed trilogy, produced in 467 BC and often referred to as the Oedipodea. This dramatic tale unfolds the fierce battle between an Argive army, led by Polynices, and the forces of Thebes under the command of Eteocles. The trilogy secured first prize at the City Dionysia, although its earlier plays, Laius and Oedipus, along with the satyr play Sphinx, have unfortunately been lost to time. After the shocking revelation that Oedipus has married his own mother and had children with her, he blinds himself and curses his sons to ...

In the gripping play Agamemnon, we witness the tumultuous return of Agamemnon, the King of Argos, after a decade-long campaign in the Trojan War. Awaiting him at home is his cunning wife, Clytemnestra, who harbors a chilling plan for revenge against her husband. Fueled by the haunting memory of their daughter Iphigenias sacrifice and her own affair with Aegisthus—Agamemnons cousin and the last heir of a rival branch of their family—Clytemnestras thirst for vengeance intertwines with a quest for power. This classic tale of betrayal and ambition is steeped in tragedy and explores the dark ...

In this compelling tragedy, the only surviving work from Aeschylus trilogy about the House of Oedipus, Thebes finds itself under siege by Polynices, a once-cherished prince turned adversary. Following the tumultuous departure of King Oedipus and his curse upon his sons, the brothers Polynices and Eteocles initially agreed to alternate the throne. However, Eteocles, after his year of rule, refuses to relinquish power, thereby fulfilling their fathers ominous prophecy that they would never coexist peacefully. As Polynices and his Argive army launch an assault on Thebes to reclaim his birthright,...

The Oresteia is a powerful trilogy of Greek tragedies penned by Aeschylus, exploring the tragic downfall of the House of Atreus. Central to the narrative is Orestes, who embarks on a harrowing quest to avenge his fathers death. This exceptional work, the only surviving example of an ancient Greek theater trilogy, triumphed at the Dionysia festival in 458 BC. While originally accompanied by the now-lost satyr play, Proteus, the term Oresteia has come to signify the surviving trilogy alone. Many regard it as Aeschylus magnum opus, delving into profound themes such as the tension between revenge ...

Aeschylus The Persians (Persai) stands as the earliest surviving play from his oeuvre, first performed in 472 BC. Drawing from his own experiences, particularly the pivotal Battle of Salamis, this remarkable work is distinct among Greek tragedies for its portrayal of a recent historical event. It delves into the theme of hubris, attributing Persias defeat to the arrogance of its king, Xerxes. As the second part of a now-lost trilogy that triumphed at Athens’ City Dionysia festival, with Pericles as choregos, The Persians is a profound exploration of pride and downfall. The first play, ...