Showing results by publisher "Faber & Faber" in Art & Literature

Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. He was a scholar of law, a sea adventurer, an MP, a priest, the Dean of St Paul's Cathedral—and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a high-born girl without her father's consent, struggled to feed a family of 10 children and was often ill and in pain.

In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists.

Pamuk draws on Friedrich Schiller's famous distinction between "naive" poets-who write spontaneously, serenely, unselfconsciously-and "sentimental" poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist's craft.

When Jan Morris joined the 1953 Everest expedition and was first to get news of the ascent back to London, she became the most famous journalist in the world. So began a glittering career covering the Eichmann trial, interviewing Che Guevara and scooping the story of Suez collusion. Morris transitioned in the early seventies and documented the experience in Conundrum. She was a pioneer and her books, including Venice and the Pax Britannica trilogy, have inspired readers across the globe.

When he turned 65, the playwright Simon Gray began to keep a diary: not a careful honing of the days' events with a view to posterity but an account of his thoughts as he had them, honestly, turbulently, digressively expressed. One of Britain's most amusing and original writers reflects on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters - a record of shame, adultery, friendship and love. Few diarists have ever been so frank about themselves and even fewer so entertaining.

A great many writers use their own lives as the raw material for their work, but few have done it with the wit and courage of Simon Gray. Like his previous best seller, The Smoking Diaries, The Year of the Jouncer has the rare ability to make you laugh aloud one moment and ponder the sad mysteries of mortality the next - and sometimes to do both at the same time.

P. D. James brings a lifetime of reading and writing crime fiction to bear on this personal history of the genre, from the birth of the detective story, through Wilkie Collins and Conan Doyle, to the golden age of crime and the rise of Agatha Christie, Dorothy L. Sayers, Ngaio Marsh, and Margery Allingham. There is a chapter on great American crime writers such as Raymond Chandler and Dashiel Hammett, and P. D. James also discusses many of her favourite detectives, from Sherlock Holmes to Kurt Wallander.

'Think of the Bible and Homer, think of Shakespeare and think of me,' wrote Gertrude Stein in 1936. Admirers called her a genius, sceptics a charlatan: she remains one of the most confounding—and contested—writers of the twentieth century. In this literary detective story, Francesca Wade delves into the creation of the Stein myth.

From the birth of the house of Windsor in 1917, its leading women - Queen Mary, the Queen Mother, the Duchess of Windsor and Queen Elizabeth II - faced abdication and assassination, revolution and the rise of fascism, the threat of invasion and all-out war. Their sartorial decisions, alongside those of their royal husbands, projected power and perpetuity, diplomacy and defiance.

Miss Dior paints a portrait of the enigmatic woman behind the designer Christian Dior: his beloved younger sister, Catherine, who inspired his most famous perfume and shaped his vision of femininity. Justine Picardie's journey takes her to Occupied Paris, where Christian honed his couture skills while Catherine dedicated herself to the French Resistance, until she was captured by the Gestapo and deported to the German concentration camp of Ravensbrück.

In five short essays, the award-winning writer dissects the nervous condition of being not only Black, and not only a woman, but also quote-unquote "postcolonial". Weaving together the experiences, events, intersections and negotiations of her multifaceted identity, Dangarembga offers a powerful vision of Black liberation.

Other Colours is a collection of immediate relevance and timeless value, ranging from lyrical autobiography to criticism of literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter Ruya to provocative discussions of Eastern and Western art. It also covers Pamuk's recent, high profile, court case.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

Edna O'Brien was born in 1930. Her brilliant debut novel, The Country Girls, was banned in her native Ireland upon its publication in 1960. Since then she has gone on to produce some of the finest writing of the 20th century. In Country Girl we hear of a life of high drama and contemplation, of encounters with Hollywood giants, pop stars, and literary titans. It is a life gorgeously, sometimes painfully remembered, in prose that sparkles with the effortless gifts of a master.

Simon Gray is determined to give up smoking. Really. At last. Can he kick the habit of 60 years? Will he, sometime soon, be able to leave his house without nervously feeling for his two packets of 20 and his two lighters, and add no more singes to his cardigan? As this wonderful, wayward record of Gray's life progresses, these questions are overtaken by much larger ones. What is that lady on the plane to Athens doing with her nose? What was sex like before 1963? Will his name be in lights on Broadway? Why did he leave the bedside of his dying mother?

This memorial anthology will weave together the pieces that defined her reputation as one of the most important and formidable investigative journalists of her generation. It showcases the expansive breadth of McKee's voice by bringing together unpublished material alongside both her celebrated and lesser-known articles.

The short-lived Blitz club in London's Covent Garden was more than somewhere to hang out or be seen: it was a catalyst for cultural explosion, a counter-culture blast against everything Thatcher's leadership had ushered in by the dawn of the 80s. In Blitz, Elms reflects on a club night founded by working-class kids, one whose impact reverberated beyond its doors, through the worlds of Art, Literature, Fashion and Music, and into the present day.