Showing results by publisher "Spoken Realms" in Poetry

Award-winning narrator Mike Vendetti reads "Ode to a Nightingale", a personal poem that describes Keats's journey into a state of negative capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and, instead, explores the themes of nature, transience, and mortality, the latter being particularly relevant to Keats.

This collection of 35 poems is a sequel to a volume of lyrical ballads first published in 1798. While the first volume was a collaboration between Wordsworth and Samuel Taylor Coleridge, this anthology contains verses by Wordsworth only. Generally, the poems are less well-known than those of the earlier volume but do include major narrative pieces, like "The Pastoral Epics", "The Brothers", and "Michael".

Caliban is a major character in The Tempest by Shakespeare. He is a deformed monster, the offspring of Sycrorax, a witch. Prospero, a magician who presides over the island where Caliban dwells, has made him a servant. This galls Caliban's spirit, as he believes himself to be the rightful ruler of the island. Setebos is the deity who was worshipped by Sycorax and is mentioned by Caliban in two scenes.

After living in the city of Orphalese for 12 years, a prophet is about to board a ship which will carry him home. He is stopped by a seeress and the people of the city, who ask him for his insights into life. The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

The Rubaiyat of Omar Khayyam is a poetic marvel, a work that has survived translation into many languages, while losing little of its force and its wry character. As a source of literary imagery and memorable quotations it ranks with the Bible and the works of Shakespeare. While Edward Fitzgerald was neither the first nor the most scholarly of the English translators of the Rubaiyat, his translation has been largely responsible for the world-wide popularity of this monument of classic Persian poetry.

John Keats (1795-1821) was one of the foremost English Romantic poets. Despite his early death from tuberculosis at the age of 25 he had a considerable poetic output, the majority of his best-known works being written in the year 1819. The six odes composed during this year are among his most famous and well-regarded poems. The first five were composed during the spring of 1819, while 'To Autumn' was composed in September. The exact order of composition of the first five is unknown.

"Ode To Autumn" is a poem by English Romantic poet John Keats. The work was composed on 19 September, 1819 and published in 1820 in a volume of Keats's poetry that included "Lamia" and "The Eve of St. Agnes". "To Autumn" is the final work in a group of poems known as Keats's "1819 odes".

This universalist spiritual treatise is the best known work by the Lebanese-born poet and artist Kahlil Gibran (1883-1931). The central figure of the narrative is a fictional prophet, Al Mustafa, who is about to set off on a journey back to his homeland. His departure is delayed when he encounters a group of people who urgently seek his advice on a wide range of topics ranging from the mundane to the highest flights of spiritual introspection.

Possibly one of the most dissected poems ever, Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society. Eliot employs many literary and cultural allusions from the Western canon, Buddhism, and the Hindu Upanishads. The poem shifts between voices of satire and prophecy featuring abrupt and unannounced changes of speaker, location, and time and conjuring a vast and dissonant range of cultures and literatures.

Alexander Pope was celebrated for his command of classical Greek and produced seminal translations of the Iliad and the Odyssey. Prior to the preparation of these translations, Pope took advantage of his mastery of the classical style and also his waspish wit to compose a burlesque epic about the theft of a lock of hair. The incident that inspired Pope was related to him by his friend John Caryll. Lord Petre had cut off a lock of the hair of Arabella Fermor, whom he was courting at the time, without asking the lady's permission.

T.S. Elliot was likely the best read of any of his contemporaries. In his poetry, we often find an allusion to the works of other great writers. In "The Love Song of J. Alfred Prufrock" he makes reference to Dante Shakespeare and "To His Coy Mistress" by Andrew Marvel. Prufrock, as the name implies, is an indecisive wimp, whereas Marvel in his seduction poem, has his eye on the prize, and makes no bones about it.

The Iliad, set 9 years into the Trojan War, tells the story of the wrath of Achilles. The Odyssey tells the story of Odysseus as he wearily travels home from the war. The two epics provide the basis of Greek education and culture in the classical age. They have long remained among the most significant poems of European tradition. Produced here in full cast arrangement and narrated by Rob Goll, one can experience these age-old stories in a brand new way.

Remember those biggies we loved in high school English? Well, here they are again performed by award-winning narrator Mike Vendetti. You'll hear "Chicago" by Carl Sandberg, "A Valediction: Forbidding Mourning" by John Donne, "Because I Could Not Stop for Death" by Emily Dickinson, "Mending Wall" by Robert Frost, "Ode on a Grecian Urn" by John Keats, "Song VII ("My song has put off her adornments")" by Rabindranath Tagore, and who can ever forget "The Love Song of J Alfred Prufrock" by T.S. Eliot.

Siegfried Sassoon is one of the best-known of the plethora of First World War poets. His poem, Counter-Attack, was published in 1918 in Counter-Attack and other poems and describes the horror of life in the trenches of the Western Front.

"The Eve of St. Agnes" was written in January 1819 and first published in 1820. It is a Romantic Narrative poem written in 42 Spenserian stanzas. John Keats based his poem on the superstition that a girl could see her future husband in a dream if she performed certain rites on the eve of the feast of St. Agnes (the patron saint of virgins who died a martyr in 4th century Rome.) The eve falls on January 20th; the feast day on the 21st.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Nearly all Michael Angelo's sonnets express personal feelings, and by far the greater number of them were composed after his 60th year. To whom they were addressed, we only know in a few instances. Nothing is more clear than that Michael Angelo worshiped Beauty in the Platonic spirit, passing beyond its personal and specific manifestations to the universal and impersonal.

This collection, first published in 1914, contains 28 short pieces in prose and verse, which present themes frequently explored in Gibran's other works. These include love, death, creation myths and spiritual realization.

The Odyssey has survived nearly three thousand years because it speaks to a simple, powerful truth: sometimes the hardest battle is not the war abroad, but the long, uncertain journey back home. In this modern prose retelling, Homer's epic is presented as a continuous story rather than as verse. The language is clear and contemporary, but the structure and major episodes of the original are faithfully preserved.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.