Showing results by publisher "W. F. Howes Ltd" in Authors

Roald Dahl was one of the world's greatest storytellers. He conceived his vocation as one as intrepid as that of any explorer and, in his writing for children, he was able to tap into a child's viewpoint throughout his life. He crafted tales that were exotic in scenario, frequently invested with a moral, and filled with vibrant characters that endure in public imagination to the present day.

When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she'd given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself?

'How do I love thee? Let me count the ways,' Elizabeth Barrett Browning famously wrote, shortly before defying her family by running away to Italy with Robert Browning. But behind the romance of her extraordinary life stands a thoroughly modern figure, who remains an electrifying study in self-invention. This vividly written biography, the first full study for over thirty years, incorporates recent archival discoveries to reveal the woman herself.

After 22 years, spent across four continents, with two children - Louis and Marcel - in 1990, Anne and Paul Theroux decided to separate. For that year, Anne - later a professional relationship therapist herself - kept a diary, noting not only her day-to day experiences as a busy freelance journalist and broadcaster but the contrasts in her feelings between despairing grief and hope for a new future.

In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The three men's lives play out against the backdrop of the Belle Epoque in Paris. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.

From the beginning of their lives, the Olivier sisters stood out: surprisingly emancipated, strikingly beautiful, markedly determined and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were frankly 'wrong'; and Virginia Woolf found them curiously difficult to read. The sisters seemed always to be one step ahead of their time. Margery and Daphne studied at Cambridge when education was still thought by some to be damaging to ovaries.

Binyavanga Wainaina tumbled through his middle-class Kenyan childhood out of kilter with the world around him. Here he takes us through his chaotic school days, his attempt to study in South Africa, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood.

Blindness in the 1950s was a social stigma. Stephen's mother wanted a normal life for him, so he fought desperately to uphold the illusion of sight. For a child frantic to fit in, each day was an exhausting pretence. He managed to ride a bike, when even reading involved pressing his nose to the page and painfully forcing his eyes to concentrate. Head up, he strode through a carefully memorized labyrinth of streets, hoping to fool passers-by that he could actually see.

Valentino Achak Deng is just a boy when conflict separates him from his family and forces him to leave his small Sudanese village, joining thousands of other orphans on their long, long walk to Ethiopia, where they find safety for a time. Along the way Valentino encounters enemy soldiers, liberation rebels and deadly militias, hyenas and lions, disease and starvation. But there are experiences ahead that will test his spirit in even greater ways than these....

Drawing on letters and diaries, some of which have never been published before, this book will reveal Jane Austen's bond with a family servant, the amateur playwright Anne Sharp, how Charlotte Brontë was inspired by the daring feminist Mary Taylor, the transatlantic relationship between George Eliot and the author of Uncle Tom's Cabin, Harriet Beecher Stowe, and the underlying erotic charge that lit the friendship of Virginia Woolf and Katherine Mansfield - a pair too often dismissed as bitter foes.

Katharine Smyth was a student when she first read Virginia Woolf's modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death - a calamity that claimed her favourite person - she returned to that beloved novel as a way of understanding her own grief. Smyth's story moves between the New England of her childhood and Woolf's Cornish shores and Bloomsbury squares, exploring universal questions about family, loss and homecoming. 

Antonia Fraser's memoir describes growing up in the 1930s and 1940s but its real concern is with her growing love of history. The fascination began as a child when her evacuation at the beginning of the war to an Elizabethan manor house became an inspiration for historical imaginings - and developed into an enduring passion; as she writes, 'for me, the study of History has always been an essential part of the enjoyment of life'.

When Antonia Fraser met Harold Pinter she was a celebrated biographer and he was Britain's finest playwright. Both were already married - Pinter to the actress Vivien Merchant and Fraser to the politician Hugh Fraser - but their union seemed inevitable from the moment they met: 'I would have found you somehow', Pinter told Fraser. Their relationship flourished until Pinter's death on Christmas Eve 2008 and was a source of delight and inspiration to them both until the very end.

Patricia Highsmith - author of Strangers on a Train and The Talented Mr Ripley - had more than her fair share of secrets. During her life, she felt uncomfortable about discussing the source of her fiction and refused to answer questions about her private life. Yet after her death in February 1995, Highsmith left behind a vast archive of personal documents - diaries, notebooks and letters - which detail the links between her life and her work. 

The Rebecca Notebook provides an unparalleled insight into the mastery of a writer's craft and the inner vision that made du Maurier a household name. One of the great international bestsellers, Rebecca also inspired a film, a play, and television dramas. This perfect companion volume, The Rebecca Notebook, outlines just how Rebecca came to be written, tracing its origins, developments and the directions it might have taken.

Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the psyche. As he investigates the roots of what we now know as PTSD, Charles Glass brings historical bearing to how we must consider war's ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.

Known to most as Lemony Snicket, the tormented narrator of A Series of Unfortunate Events, Daniel Handler spends his days writing—for children and adults; film and television; and, on occasion, the accordion. Tracing his life in books from his first encounter with Baudelaire at a local library, And Then? And Then? What Else? offers a witty, poignant exploration of reading, writing and why we tell stories.

Norman Mailer was writing The Executioner's Song, his novel about condemned killer Gary Gilmore, when he struck up a correspondence with Jack Henry Abbott, Federal Prisoner 87098-132. Over time, Abbott convinced the famous author that he was a talented writer who deserved another chance at freedom. With letters of support from Mailer and other literary elites of the day, Abbott was released on parole in 1981.

Bisexuality is often seen as something temporary, in spite of increasing openness around it: a sign of immaturity or a waystation on the road to a different sexuality altogether, rather than its own distinct entity. In this beautifully written cultural history, Sam Mills reclaims bisexuality as its own identity, interweaving her experience of being bisexual with illuminating portraits of a clutch of artists, writers and musicians, including Colette, Bessie Smith, Marlene Dietrich, Anaïs Nin, Jean-Michel Basquiat and Madonna.

At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion's legendary L.A. party for the publication of Tom Wolfe's The Electric Kool-Aid Acid Test. In his early 20s, he shared an apartment in Manhattan's Hotel Des Artistes with his best friend and soulmate Carrie Fisher, while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn seller at Radio City Music Hall.