Showing results by publisher "Spoken Realms" in Themes & Styles

The Odyssey has survived nearly three thousand years because it speaks to a simple, powerful truth: sometimes the hardest battle is not the war abroad, but the long, uncertain journey back home. In this modern prose retelling, Homer's epic is presented as a continuous story rather than as verse. The language is clear and contemporary, but the structure and major episodes of the original are faithfully preserved.

Hilda Doolittle was an American poet and novelist who was one of the founders of the Imagist movement, which includes such poetic luminaries as Ezra Pound and Richard Aldington, with both of whom Doolittle had romantic relationships.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

Remember those biggies we loved in high school English? Well, here they are again performed by award-winning narrator Mike Vendetti. You'll hear "Chicago" by Carl Sandberg, "A Valediction: Forbidding Mourning" by John Donne, "Because I Could Not Stop for Death" by Emily Dickinson, "Mending Wall" by Robert Frost, "Ode on a Grecian Urn" by John Keats, "Song VII ("My song has put off her adornments")" by Rabindranath Tagore, and who can ever forget "The Love Song of J Alfred Prufrock" by T.S. Eliot.

The Iliad, set 9 years into the Trojan War, tells the story of the wrath of Achilles. The Odyssey tells the story of Odysseus as he wearily travels home from the war. The two epics provide the basis of Greek education and culture in the classical age. They have long remained among the most significant poems of European tradition. Produced here in full cast arrangement and narrated by Rob Goll, one can experience these age-old stories in a brand new way.

James Allen (1864 - 1912) was an evangelist for the emerging New Thought movement and wrote over twenty books that explored many aspects of his universalist philosophy. Many of James Allen's prose works contain snippets of verse, which are generally devotional and reflective. A significant number of these poetic excerpts were composed by Allen himself. This collection, which was first published in 1907, contains 37 short poems, illustrative of Allen's idiosyncratic views of the spiritual path and the personal search for truth.

T.S. Elliot was likely the best read of any of his contemporaries. In his poetry, we often find an allusion to the works of other great writers. In "The Love Song of J. Alfred Prufrock" he makes reference to Dante Shakespeare and "To His Coy Mistress" by Andrew Marvel. Prufrock, as the name implies, is an indecisive wimp, whereas Marvel in his seduction poem, has his eye on the prize, and makes no bones about it.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

Written when Vita became homesick for her beautiful home in Kent, it had six print runs within three years of its publication in 1926. Vita has always been popular for her gardening, her lifestyle, and bohemian companions like Virginia Woolf and the Bloomsbury group. Her nostalgia for farming and the beauty of the seasons is described with an artist’s eye for detail.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

This poem was written by Wordsworth after a walking tour through the Welsh Borders. As usual with many of Wordsworth's poems, it opens with a description of the countryside which is then developed into a philosophical reflection about beauty and the suggestive power of recollection.

Robert Bridges, who was English Poet Laureate between 1913 and 1930, published three versions of his sonnet sequence, The Growth of Love: 1876 - 24 sonnets, 1889 - 79 sonnets, 1898 - 69 sonnets. This recording is of the 1889 edition. The poems are essentially meditations on the elusive subject of love, and display the poet's reverence for his great poetic forebears, particularly Milton and Shakespeare.

Spoon River Anthology is a collection of poems that describe life - and death - in a small town. Each poem is a monologue delivered by a resident of Spoon River, describing events in their lives, and the circumstances that led to their occasionally untimely end. Edgar Lee Masters wrote this theatrical masterpiece to highlight the typical small town. The fascinating characters and realistic imagery make it easy to see why this is an American classic.