Showing results by publisher "Bookstream Audiobooks" in Occult

"The Facts in the Case of M. Valdemar" is a short story by the American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also to a certain degree a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account.

"The Oval Portrait" is a horror short story by American writer Edgar Allan Poe, involving the disturbing circumstances of a portrait in a château. It is one of his shortest stories, filling only two pages in its initial publication in 1842. The tale begins with an injured narrator seeking refuge in an abandoned mansion in the Apennines. The narrator spends his time admiring the paintings that decorate the strangely shaped room and reading through a reference book, found on a pillow, that describes them.

"Hop-Frog" (originally "Hop-Frog; Or, the Eight Chained Ourang-Outangs") is a short story by American writer Edgar Allan Poe, first published in 1849. The title character, a person with dwarfism taken from his homeland, becomes the jester of a king particularly fond of practical jokes. Taking revenge on the king and his cabinet for the king's striking of his friend and fellow dwarf Trippetta, he dresses the king and his cabinet as orangutans for a masquerade. In front of the king's guests, Hop-Frog murders them all by setting their costumes on fire before escaping with Trippetta.

This is the first collection of strange stories by contemporary writer Mark Samuels. The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. Mark Samuels writes about the fundamental fears of modern life, especially the effects of isolation and the dislocation that city dwellers can experience in their inhospitable, man-made environment.

"There are many ways to tell a story... It is a question of choosing the right one." - "Sparks from the Fire" The stories in Sparks from the Fire explore a wide variety of familiar characters and settings, yet there is always something else a shadow world that haunts, disturbs, and threatens. Sons and daughters, mothers and fathers, recluses and lovers all find themselves shifting between realities: the prosaic and the mystical, even between life and death. The horrors and wonders of these parallel existences are often glimpsed, sometimes revealed, and occasionally overwhelm.

Edward Clarke was staring out of the window of his bookshop, a cigarette held delicately between his long, thin fingers, his unshaven chin slightly upraised.

Tonya matched her pace to that of the sedately departing steam train. She opened the last door of the last carriage with the nonchalance of a seasoned commuter and stepped aboard.

"Mrs. Taylor?" The greeting came from a woman sitting in a ponderous wingback chair by the front door. Because of the paperwork on her lap she could not immediately stand.

The past doesn't always stay where it should. It is as though somebody, or something, is forever trying to bring it painfully into the present. Flavian Bennett is trying to leave his past behind when he goes to work in his father's bookshop in Paris. But a curious customer, Reginald Hopper, is desperate to resurrect his own murky origins. Hopper believes that a rare and mysterious book, The Dark Return of Time, may be the key to what happened before he arrived in Paris. In this quiet thriller by R.B. Russell, the futures - and pasts - of these two men will soon cross.

I awoke this morning in what appeared to be a strange house and I lay between unfamiliar sheets trying to remember exactly where I might be. I was not especially worried at first.

Against a black backdrop strewn with stars the silver figure in a long, floating dress sang and swirled, the little silk-shod feet mirrored in the polished black floor. Her voice trilled and swooped like an upper-class nightingale, with those odd strangulated vowels so alien to us today.

The five stories that made up R.B. Russell's debut collection, Putting the Pieces in Place, were described on first publication as demonstrating 'a subtle mastery of the macabre. Enigmatic and enticing, they combine a pleasing respect for the great tradition of supernatural fiction with a chilling contemporary European resonance.'

The tape came off the first reel, threaded its way through the guides and heads, and flapped uselessly, rhythmically, as the full spool continued to turn.

Shaffer returned home at five, just as it was getting dark. He had to put down his bags to unlock the front door, and picked them up again feeling annoyed that he had set so much homework for his pupils; after all, he was going to have to mark it all.

When I look back on my life in Eastbourne in the late 1980s I find it amazing that I could have ever had enough time and energy to accomplish what I did.

If only we would take the time to look a little closer, delve a little deeper, when ordinary life goes awry, we might find the world more strange and unexpected than we ever could have imagined.

Following on from Literary Remains, R.B. Russell's previous collection for PS_Publishing, the twelve stories of Leave Your Sleep concern sex and death, love and loss. Russell allows his characters to disappear, slip into alternate realities, or re-write their own histories. They find they are able to do the most extraordinary things, even though they may not immediately realise it. And who is in control of their actions, or those around them?

For the first time since his arrival in Arkos the Right Honourable David Barrett, M.P., was up early, washed and dressed and standing on the quay.

Towards mid-day the three pursuers came abruptly round a bend in the torrent bed upon the sight of a very broad and spacious valley. The difficult and winding trench of pebbles along which they had tracked the fugitives for so long, expanded to a broad slope, and with a common impulse the three men left the trail, and rode to a little eminence set with olive-dun trees, and there halted, the two others, as became them, a little behind the man with the silver-studded bridle.

"The Haunted House" is a story series published in 1859 for the weekly periodical All the Year Round. It was "Conducted by Charles Dickens", with Charles Dickens writing the opening and closing stories, framing stories by Dickens himself and five other authors. The story appeared in the Extra Christmas Number on 13 December 1859. Dickens began a tradition of Christmas publications with A Christmas Carol in 1843 and his Christmas stories soon became a national institution. The Haunted House was his 1859 offering.