Showing results by publisher "Faber & Faber" in United States

'The Waste Land' is a landmark in 20th-century poetry. Here it is read by the late Poet Laureate Ted Hughes. Published in 1922, it is a brilliant exploration of a faithless, immoral society trying to rebuild itself after the devastation of the Great War. Rich in literary references and steeped in allusive and evocative imagery, 'The Waste Land' is widely considered to be the pinnacle of modernist poetry.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.

The Waste Land and Other Poems by T. S. Eliot, read by Edoardo Ballerini. To mark the centenary of the publication of The Waste Land, by T. S. Eliot, Faber & Faber, in association with the T. S. Eliot Foundation, commissioned this new recording of T. S. Eliot's major poems, narrated by Edoardo Ballerini. Ballerini is widely regarded as the brightest star of the audiobook era, one of the finest narrators of literature today.

Barbara Kingsolver's generous collection is divided into thematic sections that loop and interweave to form a carefully patterned whole: a series of 'How to' poems that smartly balance tongue-in-cheek pragmatism with revelatory wisdom, a complicated yet affirmative family pilgrimage to Italy, cherished childhood memories, the perils and pleasures of being a [female] writer, elegies to lost loved ones and elegies to the planet.

Postcolonial Love Poem is a thunderous river of a book. It demands that every body carried within - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Where the bodies of indigenous, Latinx, Black and Brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

In this collection of essays, the author of Demon Copperhead and The Lacuna brings to us (out of one of history's darker moments) an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter.