Showing results by publisher "Faber & Faber" in Contemporary Fiction

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

In Find Me, Aciman shows us Elio's father, Samuel, on a trip from Florence to Rome to visit Elio, now a gifted classical pianist. A chance encounter on the train upends Sami's visit and changes his life forever. Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic. Aciman is a master of sensibility, of the intimate details and the nuances of emotion that are the substance of passion.

When Myriam, a French-Moroccan lawyer, decides to return to work after having children, she and her husband look for the perfect caretaker for their two young children. They never dreamed they would find Louise: a quiet, polite and devoted woman who sings to their children, cleans the family's chic apartment in Paris' upscale tenth arrondissement, stays late without complaint and is able to host enviable birthday parties.

Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism - that's The Festival of Insignificance. Listeners who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him.

Kismet [n.] /'kismet/ Destiny; Fate. Origin: 19th century: from Arabic, qisma 'division, portion, lot', qasama 'to divide'. Anna [n.] /'æne/ Journalist and Community Shed entrepreneur, rent-a-sheep developer; in love. Or maybe not. Anna's a free spirit. Definitely happy. Or anxious. Or is it more panicked? She's certainly talented. Unless she's really a fraud. Absolutely hilarious - but possibly grieving. And lustful. On the edge. Having a glass of wine. Whether Kismet means destiny or division, Anna is about to test it to its very limits.