Showing results by publisher "W. F. Howes Ltd" in Film & TV

He is Dexter Mayhew, tall, dark and (she can't deny it) handsome. She is Emma Morley, bottled red hair, wilfully badly dressed, all principles and no action. Could this be the dawn of the rest of their lives? Or are Dex and Em living proof that - despite an unlikely beginning - men and women really can be just good friends?

Now a major film written and directed by the Coen Brothers. There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by Torn Chancy, who shoots him down for a horse, $150 cash, and two gold pieces. Ross's single-minded teenage daughter, Mattie, travels to claim his body... Then she meets Rooster - a man with grit - and persuades him to join her on a deadly quest to avenge her father's murder.

The Last Kings of Hollywood tells the thrilling, dramatic inside story of how the three filmmakers rivalled and supported each other, fell out and reconciled, and struggled to reinvent popular American cinema. Along the way, Coppola directed The Godfather, then the highest-grossing film of all-time, until Spielberg surpassed it with Jaws—whose record Lucas broke with Star Wars, which Spielberg surpassed again with E.T. By the early 1980s, they were the richest, best-known filmmakers in the world, each with an empire of their own.

Sarah Churchwell examines one of the most enduringly popular stories of all time, Gone with the Wind, to help explain the divisions ripping the United States apart today. Separating fact from fiction, she shows how histories of mythmaking have informed America's racial and gender politics, the controversies over Confederate statues, the resurgence of white nationalism, the Black Lives Matter movement, the enduring power of the American Dream, and the violence of Trumpism.

When children’s TV programme Teletubbies first aired in 1997, no one expected the cult status it would achieve. Propelled by a unique blend of educational theory, child psychology and linguistics, the show went on to air in 45 languages in 120 countries, win multiple BAFTA Awards, and achieve viewing figures of three billion a year. In a memoir as lively and funny as the programme itself, Nikky Smedley lifts the curtain on what it was like to be a Teletubby and takes us behind the magical scenes of a global phenomenon.

A history about the invention of the motion picture and the mysterious man behind it—detailing his life, work, disappearance and legacy. The year is 1888, and Louis Le Prince is finally testing his 'taker' or 'receiver' device for his family on their front lawn. The device is meant to capture 10 to 12 images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. 

Authors John Dorney, Jessica Regan and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony and who won and why. Twenty films are reviewed in-depth, alongside 10 detailed 'making-of' accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinised to answer the ultimate question: 'did the Academy get it right?'

This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead. 

This extraordinary biography of the legendary screen star Marilyn Monroe was originally published in 1973 by Norman Mailer, one of America's most important writers of the second half of the Twentieth Century. Mailer, the winner of two Pulitzer Prizes, was the first writer to explore the relationship between Monroe and Bobby Kennedy.

In a career that spans over seven decades, Roger Moore has been at the very heart of the show business scene. In this fabulous collection of true stories from his stellar career, Roger lifts the lid on the movie business, from Hollywood to Pinewood. It features outrageous tales from his own life and career as well as those told to him by a host of stars and filmmakers, including Tony Curtis, Sean Connery, Michael Caine, Frank Sinatra, and many more.

Falcon Bay was the world's most popular soap opera, filmed on location on a tiny, idyllic island off Jersey. But with ratings falling, a new network owner, the beautiful and malevolent Madeline Kane, arrives on the private island determined to do whatever it takes to get the show back to number one. Writer Farrah, star Catherine and producer Amanda are the driven, ambitious women who keep the show on the road. 

Luck plays an important part in the careers of writers. In this book, David Lodge explores how his work was inspired and affected by unpredictable events in his life. In 1976, Lodge was pursuing a ‘twin-track career’ as novelist and academic. As a literary critic, he made serious contributions to the subject before carnivalising it in his comic-satiric novel Small World. The balancing act between his two professions was increasingly difficult to maintain, and he became a full-time writer just before he published his best-selling novel Nice Work.

Lynda Bellingham is much-loved as the warm and quick-witted panellist on Loose Women. In Lost and Found, Lynda tells the story of how she recovered from two destructive marriages, and many other challenging experiences. Yet her sense of humour has never left her, and along with the darker moments, she recalls hilarious anecdotes from stage and screen. This is the inspiring story of a survivor.

In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

It’s the late 1970s and 20-something Christopher Fowler is a film freak, obsessively watching lousy films in run-down fleapit cinemas. He longs to be a famous screenwriter and put his dreams on the big screen. And so he heads for Wardour Street, Britain’s equivalent of Hollywood. But he’s made a spectacular mistake, arriving just as the nation’s filmmakers are falling to their knees, brought low by the arrival of video and the destruction of the old movie palaces.