Showing results by publisher "Podium Audio" in Victorian

Lady Helena Davenport is desperate to avoid the odious betrothal her father is forcing upon her. The only way out is to orchestrate her own ruin. Everything is unfolding according to plan; her escape is finally within her grasp. But there is just one problem when the moment of scandal arrives: the rake she selected for an assignation is nowhere to be found. In his place? The man she secretly loves.

Annabel rides through the night to seek help from the duke. Can a marriage born from necessity become true love? In this sweet historical romance, a sheltered baron's daughter and a distinguished duke enter into a marriage of convenience, but his hidden secret threatens to unravel everything.

Miss Phoebe Astin of The Economic Undertaker is not just a talented mortician, but a medium for the spirit world and often enjoys the company of her clients before they move on to the next world. When her funeral director brothers, Julius and Ambrose, bring the deceased Mrs. Henriette Tochborn to her workroom, there is much interest as the lady was quite well known for her tragedy—twenty years prior, her child was kidnapped and never found.

In the opulent ballrooms of Regency-era London, Mercy Ainsworth plays her part flawlessly. By day, she's the poised daughter of an esteemed earl, an embodiment of grace and decorum. But when the moon ascends and the city's shadows lengthen, she transforms into a clandestine artist of Drury Lane, her paintings ablaze with untamed passion.

Miss Phoebe Astin of The Economic Undertaker has applied her mortician skills to many faces, but a beautiful young debutante needed little work, or so she thought. When the debutante's spirit appears to her, insisting she was murdered and demanding Phoebe do something about it, Phoebe agrees. She has, after all, helped many of her ghostly clients before they move on to the next world.

Although Major Fionn Brennan worked his way up the military ranks, no amount of cultured upbringing will make him worthy of Lady Chloe. His heart aches to have her, yet how can he dare hope for a match when he was raised as a nameless orphan left to fend for himself on the roughest London streets? If not for the viscount who chose to bring him home instead of having him tossed as a boy into prison, he would probably be dead. Now that he has been put in command of Moonstone Landing's army fort, he is bound to see Chloe every day.

Poppy had always loved the night, so it wasn't too much of a bother to wake one evening in an unfamiliar home far from London, weak and confused and plagued with a terrible thirst for blood, to learn that she could no longer step out into the day. And while vampirism presented several disadvantages, it more than made up for those in its benefits: immortality, a body that could run at speed for hours without tiring, the thrill of becoming a predator, the thing that pulls rabbits from bushes and tears through their fur and flesh with the sharp point of a white fang.

Lady Louise, sister of the Marquis of Marlborough, has a secret. At the end of the summer, she plans to set sail for the Sandwich Islands. There she will be able to fulfill her dreams and explore the world as a travel writer. She just has to get through the Eglinton Tournament first. As one of the Queen of Beauty's ladies-in-waiting, Louise has spent the months leading up to the event pretending to be interested as dull aristocrats launch dulled lances into one another while priding themselves on upholding ancient traditions.

Miss Phoebe Astin and her brothers, Julius and Ambrose, lead an unconventional life working in the family funeral business, The Economic Undertaker. But Phoebe is not just a talented mortician; she is a medium for the spirit world, and often enjoys the company of her clients before they move on to the next world. When a gentleman lingers behind before passing over to the other side and begs her to investigate his murder, Phoebe contacts her brother's friend, Detective Harland Stone, to explain her concerns.

Born and raised in the forgotten and broken kingdom of Ashbury, Elora has spent years resenting the royals of Pumpkin Hollow, the kingdom that forced the fall of Ashbury and procured the town as its own. Separated by a mysterious glass bridge, Ashbury is treated as the orphan kingdom, left to squander and starve with only the promise of protection from King Jasper, preventing anyone outside their realm from searching for the magic that lay within the ashy valleys and red skies. Because twenty-five years ago, the Cinder Fae arrived.

It's the summer of 1888, and names like Carnegie, Astor, Pullman, and Bostwick line the premier resort's registry as society's elite gather on its grandiose front porch to see—and be seen. But Chase Bostwick isn't interested in being seen. As the second son of a wealthy financier, he's only interested in work—in Chicago—so being tasked by his father to chaperone his wearisome mother and boisterous little sister during their Michigan summer holiday is Chase's personal purgatory masquerading as paradise for never was a man more ill-suited to leisure.

James Standish knows how to play society's game. He'll follow the rules—marry a virginal debutante and inherit a massive fortune. At least, that's the plan until he meets Francesca Thorne. She's not the sort of woman a respectable gentleman like James could ever marry—not least because, strictly speaking, she's married already to James's friend Edward. Francesca is determined to flout convention and divorce her philandering husband.