Showing results by publisher "Spoken Realms" in Epic

The Odyssey has survived nearly three thousand years because it speaks to a simple, powerful truth: sometimes the hardest battle is not the war abroad, but the long, uncertain journey back home. In this modern prose retelling, Homer's epic is presented as a continuous story rather than as verse. The language is clear and contemporary, but the structure and major episodes of the original are faithfully preserved.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

The Iliad, set 9 years into the Trojan War, tells the story of the wrath of Achilles. The Odyssey tells the story of Odysseus as he wearily travels home from the war. The two epics provide the basis of Greek education and culture in the classical age. They have long remained among the most significant poems of European tradition. Produced here in full cast arrangement and narrated by Rob Goll, one can experience these age-old stories in a brand new way.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

In this narrative poem, the Pacha, Giaffir, has decreed that his beautiful daughter, Zuleika, is to be married to the rich and elderly Bey of Carasman. She confesses her grief to Selim, her beloved half-brother. Selim entreats Zuleika to meet him in a grotto later that night, where he appears in pirate garb. He declares that they are not brother and sister, but cousins and reveals that Giaffir murdered his father, Abdallah.

In this moody Russian drama, Ivanov is a melancholic impoverished landowner whose wife is dying of tuberculosis. However, he finds himself irresistibly drawn to the beautiful Sasha, the daughter of his wealthy neighbors. Augmented by a diverse array of colorful supporting characters and intrigues, this play provides a glimpse of master dramatist Anton Chekhov's early work.

A narrative poem of 14 stanzas, written by Lord Byron following a visit to the Château of Chillon on Lake Geneva in 1816. It was inspired by the story of 16th-century Swiss monk and patriot François Bonivard, held captive in the dungeons of Chillon between 1532 and 1536.

Although most of Windsor Forest was written as early as 1704, it was not published until 1713. The poem was completed after the promulgation of the first peace treaty of Utrecht, which is alluded to in terms of approbation in the body of the poem:

Welcome to Dante's The Divine Comedy, the ultimate journey to Paradise. Follow Italian writer and philosopher Dante Alighieri and his guide, the poet Virgil, through each circle of hell, over the mountain of Purgatory, and ultimately to Paradise, to be reunited with his beloved Beatrice. Dante meets many familiar faces among the sinners and the saved and learns many things of value throughout his long, dangerous journey.

Alexander Pope was celebrated for his command of classical Greek and produced seminal translations of the Iliad and the Odyssey. Prior to the preparation of these translations, Pope took advantage of his mastery of the classical style and also his waspish wit to compose a burlesque epic about the theft of a lock of hair. The incident that inspired Pope was related to him by his friend John Caryll. Lord Petre had cut off a lock of the hair of Arabella Fermor, whom he was courting at the time, without asking the lady's permission.