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For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses often protest otherwise. The contribution of women in these earlier centuries is immense, and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written. And remember these words, these telling lines, have been written against the grain of society's male bias. With their remembered words these female poets have given us a history that we can all now share.

For much of history women have been seen rather than heard. Their thoughts, their views, have lain too long in the shadows of our culture. Whilst this traditional view has some merit it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

Anne Bradstreet was born in 1612 in Northampton, England. Her parents' position allowed them to educate Anne across many subjects, which was unusual for its day. She married and had eight children. She and her family emigrated to America, where they moved often from place to place. She wrote some beautiful poetry in 1650; the publication of her collection of verse The Tenth Muse Lately Sprung Up in America made her the first female poet ever published in England and the New World.

Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year Poems and Ballads brought him instant notoriety. He was now identified with 'indecent' themes and the precept of art for art's sake.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

Milton was to now publish his greatest works, which had been gestating for many years. Paradise Lost, perhaps the classic English epic poem was originally published in 10 books in 1667. This was followed by Paradise Regained and Samson Agonistes in 1671. Because of his anti-monarchy views their reception was muted, but over the centuries since, Milton has established himself as second only to Shakespeare. He died of kidney failure on November 8th, 1674, and was buried in the church of St Giles Cripplegate.

Able to write comfortably in a number of genres, HG Wells was especially applauded for his science fiction works such as The Time Machine and War of the Worlds, but his forays into the social conditions of the times, with classics such as Kipps, were almost as commercially successful. His short stories are miniature masterpieces, many of which bring new and incredible ideas of science fiction to the edge of present-day science fact. Wells also received four nominations for the Nobel Prize in Literature.

William Cowper was born 26th November 1731 in Berkhamsted, Hertfordshire. Traumatically he and his brother, John, were the only siblings, out of seven, to survive infancy. His mother died when he was six. In 1763 he was offered a Clerkship of Journals in the House of Lords. With the examinations approaching, Cowper had a mental breakdown. He tried to commit suicide three times, and a period of depression and insanity seemed to settle on him. The end of this unhappy period saw him finding refuge in evangelical Christianity, becoming the inspiration behind his much-loved hymns.

The human race prides itself on being the most organised of animals. We manage the fate of all other species. All other animals bow to our control or suffer. In diminishing numbers we allow some to live in the wild, but in increasing numbers we domesticate them, and whether they become part of the family, a best friend or wonderfully decorative accessory, we take their compliance for granted.

We love control. The ability to predict and organise our lives as we want them. As we desire them. It’s quite a shock, then, when phantoms, ghouls and ghosts play their part, too. They don’t play by our rules. Our welfare is not their concern. They will do as they wish. And they have very vivid imaginations - way beyond the dictionary definition: Phantom. Noun. Something apparently seen, heard or sensed but having no physical reality. An image that appears only in the mind; an illusion. A model, especially a transparent one, of the human body or of any of its parts.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

We sit. We lie. We wait. We are examined. We are left alone. Emotions fritter. The door reopens. The face. Is it tinged with sadness or reassuring and open? The words. Are they easy to comprehend? Is it good news or bad? We can answer that. It’s bad. Undeniably bad. None of our authors have good news for you. The diagnosis? You already know that. Death.

Our greatest fears are of the unknown. Usually we think those fears are in front of us...or behind us. But perhaps the human body itself holds the greatest horror. What happens after death? Do our bodies have a new existence either in whole...or part? Will others seek to claim them and do unspeakable things? We don’t know. But our authors do. And they have the talents and wits to make these diabolical stories vehicles for horror, for terror, for the unimaginable....

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer. These classic programmes are wonderful reminders of times gone by. On rare instances the sound may fall short of modern audio standards.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays, and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels. and first-class acting alongside high production values.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.