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Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

Broadway. The Great White Way. In its theatres - one day you’re an understudy, the next a star. Your name in headlines and lights. But Broadway has an underbelly. A troubled side through which to view humanity at its worst: corrupt, dark, venal and violent. For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency".

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades.Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.