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Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency".

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades.Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.