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Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills", it focused on suspenseful thrillers starring the biggest names in Hollywood.

Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: The protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end.

Getting away with murder? Don't bet on it! Sometimes even the careful get caught. Sometimes revenge leads to regret. Sometimes we wade through dark thoughts and dark water, through evil and espionage to...suspense! Radio's outstanding theater of thrills dishes up a dose of tension-packed drama in this collection of 20 engrossing episodes, featuring performances by Bette Davis, Barbara Stanwyck, Burt Lancaster, Red Skelton, Ginger Rogers, Charles Boyer, Joseph Cotten, and more!

In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard, Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962, and is considered by many to be the best mystery/drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills" it focused on suspenseful thrillers starring the biggest names in Hollywood.

Johnny Dollar, also known as "the man with the action-packed expense account", entertained audiences with his adventures as a freelance insurance investigator beginning in 1949. Now he may have tallied his last expense report for his listeners in 1962, but thanks to the help of Radio Spirits, Johnny Dollar is once again on the case. He travels to exotic locales such as Tahiti and, in "The Price of Fame Matter", to Paris, where he's able to lend Vincent Price a helping hand.

Radio Westerns were strictly for kids until 1952, when Gunsmoke hit the radio airwaves. The stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one Western on the radio. It soon made a successful transition to television, becoming the longest-running dramatic series in television history.

For its premiere episodes, The CBS Radio Workshop aired a two-part adaptation of Brave New World, featuring its author, Aldous Huxley, as narrator. The musical score was created by Academy Award-winner Bernard Hermann, whose film credits included Psycho and Citizen Kane.

From 1947 to 1954, CBS' Escape was radio's leading high-adventure anthology series. The show's famous opening, delivered by Paul Frees and William Conrad, asked: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" This was followed by another announcer adding, " Escape! Designed to free you from the four walls of today for a half hour of high adventure!" Many of the episodes, which included both original stories and adaptations, centered on a protagonist facing a life-or-death situation.

Our Miss Brooks was a situation comedy show heard on radio and seen on television and in films starring Oscar winner Eve Arden. Her skill with the wicked one-liner and acid aside had begun to lead to typecasting, so, to find a new image, Arden signed on for the lead in radio's Our Miss Brooks. The series centered on Connie Brooks, a smart, sharp-witted, lovable English teacher at fictional Madison High School.

Fort Laramie was an adult-oriented Western radio series that aired Sunday afternoons on the CBS radio network in 1956. Produced and directed by Gunsmoke's Norman Macdonnell, this realistic Western drama depicted life at Fort Laramie, an important stop on the Oregon, California, and Mormon Trails as well as a staging point for various military excursions during the 19th century.

Our Miss Brooks was a highly popular radio sitcom that was eventually adapted for both television and film. It starred Hollywood film and New York stage veteran Eve Arden, who specialized in playing the wisecracking friend. She often did it better than anyone else, receiving an Oscar nomination for the 1945 film Mildred Pierce. Since her skill with the wicked one-liner was beginning to lead to typecasting, Arden signed on for the lead in radio's Our Miss Brooks to find a new image.

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the The Paper Chase. After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered theirown weekly hour-long radio program over the CBS radio network.

My Favorite Husband hit the CBS Radio airwaves in 1948, starring Lucille Ball and Richard Denningas Liz and George Cugat - who later became Liz and George Cooper when confusion with bandleader Xavier Cugat prompted a name change. Set in the fictitious town of Sheridan Falls, the show follows the happily married couple, residents of 321 Bundy Drive, through mischief and various predicaments, from faked illnesses to trouble with exes.

First heard on network radio in 1948, Yours Truly, Johnny Dollar chronicled the adventures of freelance insurance investigator Johnny Dollar, "the man with the action-packed expense account". For 14 years, it was one of the most popular detective shows on the air, lasting until the final days of network radio drama in 1962. Each story started with a phone call from an insurance executive calling on Johnny Dollar to investigate an unusual claim.

Bring history back to life through Jim Hodges' historically accurate, exciting, and edifying audio recordings. You Are There radio dramatization begins with "live" background coverage of the historical event, and then the "on the scene reporters" take over.

Everybody knows there were no radio announcers onboard the Niña, Pinta, or Santa Maria (or from ancient Greece, medieval France, or the Battle of Gettysburg either!), but you will be transported back in time anyway as the show "broadcasts" from the ships, the shore, and Spain. The dialogue is very believable, historically accurate, and very much in character. It is apparent that the producers of this show did their homework!

It's on-the-job training for your nerves as Radio's Outstanding Theatre of Thrills takes a look at crimes and calamites in the workplace! Listen to the "Man in Black" as he introduces you to corrupt colleagues who are responsible for more than the bottom line. But don't worry. You're in the hands of professionals with Van Heflin, Ronald Colman, Joseph Cotten, Elliott Lewis, Joseph Kearns, William Conrad, and Richard Widmark.

Radio's Outstanding Theatre of Thrills seldom stayed in one place for long. Over the course of its 20-year run, Suspense presented stories that spanned the entire Earth. From the four corners of the globe come tales of shock and tension! Distant lands, exotic settings, and the mystery of the unknown all converge to bring you outstanding tales of... Suspense!

To what lengths will people go to protect their children? Spite their siblings? Murder the missus? Find out in 21 digitally remastered and restored episodes spanning two decades of radio's outstanding theater of thrills.