Showing results by author "E.M. Forster" in All Categories

In this searching tragicomedy of manners, personalities, and world views, E.M. Forster explores the "idea of England" he would later develop in Howards End. Bookish, sensitive, and given to wild enthusiasms, Rickie Elliot is virtually made for a life at Cambridge, where he can subsist on a regimen of biscuits and philosophical debate.

First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster's analysis of this great literary form. Here he rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists, the features shared by their books and the ways in which they differ.

E.M. Forster's classic 1910 novel follows the lives and loves of the Schlegel sisters, Margaret and Helen, as they attempt to make connections with members of two very different families: the conservative, wealthy Wilcoxes, and the working-class Basts. 

A vibrant portrait of Edwardian England, Howards End examines personal relationships and conflicting values. The Schlegel sisters, Margaret and Helen, and their brother, Tibby, place their values in civilized living, music, literature, and conversation with their friends. The Wilcoxes, Henry and his children Charles, Paul, and Evie, are concerned with the business side of life and distrust emotions and imagination.

Representing every phase of E. M. Forster's career as a writer, the fourteen stories in this book span six decades–from 1903-1957 or even later. Only two were published in his lifetime. Most of the remaining stories remained unpublished because of their overtly homosexual themes; instead they were shown to an appreciative circle of friends and fellow writers, including Christopher Isherwood, Siegfried Sassoon, Lytton Strachey and T. E. Lawrence.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist - all these narratives intersect at an estate called Howards End. The fate of this country home symbolizes the future of England in an exploration of social, economic, and philosophical trends during the post-Victorian era.

The best literary analysis of novels ever written.

This collection of short stories from E. M. Forster contains six tales that were initially written between 1903 and 1912. Many of these stories, including the modern classic 'The Machine Stops' - which is set in a world where humanity lives underground and relies on a giant machine to provide its needs - deal with science fiction and supernatural themes.

The Machine Stops is a groundbreaking sci-fi short story by E. M. Forster. The story is set in a world where humanity lives underground and relies on a giant machine to provide its needs. The book is particularly notable for predicting new technologies such as instant messaging and the Internet.

Lucy has her rigid middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse.

When the young English widow Lilia Herriton takes off on the grand tour and along the way marries a penniless Italian, her in-laws are far from amused. That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian - are matters of grave concern to Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

The Celestial Omnibus and Other Stories is a collection of short-stories which Forster wrote during the prewar years, most of which were symbolic fantasies or fables.

An introspective novel of manners at once comic and tragic, The Longest Journey tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

A Room with a View is a novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century.  The first part of the novel is set in Florence, Italy, and describes a young English woman's first visit to Florence, at a time when upper middle class English women were starting to lead independent, adventurous lives.

Die Menschen leben in winzigen sechseckigen Waben tief unter der Erde, genießen jedoch allen Komfort. Ihr Alltag ist durch die "Maschine" perfekt geregelt. Ohne das Bedürfnis nach persönlichen Begegnungen kommunizieren sie über elektronische Hilfsmittel, die maximal miteinander vernetzt sind. Das Handbuch der Maschine ist zu ihrer Bibel geworden, wer nicht maschinenkonform denkt und handelt, wird verstoßen. Als der rebellische Kuno entdeckt, dass die Maschine langsam versagt, wagt er einen folgenschweren Ausbruch.

A Room with a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor.

The story from which this collection takes its title describes the adventures of an imaginative boy who discovers an omnibus that enables him to travel to the past in the company of famous historical personages. When at his invitation, an incredulous adult accompanies him on a journey, the astonishing new vistas unfolding alarm the security-conscious older man, who wishes himself back in his comfortable suburban home.  

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

When Lilia, an English widow, marries a penniless Italian while on vacation, her dead husband's relatives are not amused. That the marriage should fail and Lilia die tragically are to be expected. But that she should have a baby, and that the baby should be raised Italian, of all things, are matters requiring immediate correction. E.M. Forster's first novel addresses cultural collisions and English middle-class sterility.