Showing results by narrator "Alan Weyman" in All Categories

This beautiful collection contains five fairy tales by the celebrated British writer Oscar Wilde: "The Happy Prince", "The Nightingale and the Rose", "The Selfish Giant", "The Devoted Friend", and "The Remarkable Rocket." These timeless tales are performed by a full cast, and will delight listeners of all ages with their whimsical characters, moving situations, and touches of ironic humor. Presented by The Online Stage.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

In the 28 poems of which Maud: A Monodrama consists, a somewhat mentally fragile young man narrates step by step (almost in stream-of-consciousness) the progress and aftermath of his feelings for Maud, whose father, the owner of the neighboring estate and Hall, he blames for his own father's death and his family's ruin. Many of the themes of the work are related to Tennyson's own experiences and those of his close family.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant. 

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

A party of friends exchange ghost stories on Christmas Eve; but everything may not be quite as it seems....

Franz Kafka was one of the first and greatest masters of dystopian literature. In his bleak world view, man is presented as helpless and ineffectual, his destiny determined by distant, obscure and essentially unfriendly agencies. In none of his works is this savage and unreasoning enslavement presented more vividly than in Metamorphosis, a novella in which Gregor Samsa, a respectable employee and dutiful son, wakes to find himself transformed into a gigantic insect.

In Thomas Mann's novella Death in Venice, a distinguished writer's holiday from the burdens of his work turns out very differently from what he expected. By means of the story, Mann explores the relationships between disciplined intellect and ungoverned passion, and between decaying age and youthful beauty, against a background that resonates today in a time of pandemics. It was first published in German (as Der Tod in Venedig) in 1912.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

 A Gallery of Children is A. A. Milne's first published book of prose. It was released after his poetry collection, When We Were Very Young, and prior to Winnie the Pooh. With his characteristic blend of nonsense, wit and warmth, Milne offers 12 short stories of childish endeavour and mishap. They will delight and amuse listeners both young and not-so-young. 

Ebenezer Mac Crotchet, Esq., who has a mixed Scottish and Jewish parentage, has inherited some sterling qualities but is determined to destroy, as much as possible, all vestiges of his extraction. His villa has become a resort for literary and scientific men, with the result that the author easily provides himself with enough characters to introduce his favourite remarks on a wide range of topics, including Ancient Greek, transcendentalism, contagion, education, political economy, and meteorology.   

Unlike most of Peacock's novels, The Misfortunes of Elphin has a distinct plot, built around the adventures of prominent figures of Arthurian legend, like Taliesin, the bard, the princes Elphin, and Seithenyn and King Arthur himself. The drama comes to a satisfactory resolution when Arthur's wife, Gwenyvar, who has been kidnapped by the ambitious King Melvas, is restored to her husband, after some skilful negotiation by Seithenyn and a cunning abbot.

Unlike Peacock's other novels, Maid Marian has a substantial plot, based on the romantic legend of Robin Hood. As is usual with Peacock, the violence is presented in a rather humorous fashion and the characters indulge lavishly in eating and drinking. Beneath the veneer of this well-known and innocuous narrative, Peacock finds ample opportunity to satirize the foibles of church and secular government. 

Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P. Crabb (the details of whose life and other works have disappeared into obscurity) retain the significant monologues and dialogues while presenting a streamlined view of the action.

The Green Cockatoo is a short play set in a busy tavern on the night of the storming of the Bastille. Rich Parisian nobles come to watch some actors play at being rogues, thieves, and other criminals, but they quickly find reality and fantasy blending together in the most alarming of ways.

The melodramatic romance by Goethe The Sorrows of the Young Werther, the story of a troubled aesthete who kills himself for love, was first published in 1774 and has since become one of the staples of German literature. Such extravagant productions lend themselves readily to parody and naturally attracted the attention of skilled satirists like Thomas Love Peacock. 

Headlong Hall was the first of his seven novels, all of which display the same structure. There is a faint semblance of a plot, which is merely a device to bring together a bunch of voluble eccentrics, who converse on a wide range of topical issues. Headlong Hall is the rural seat of the ebullient Squire Headlong, who invites a number of philosophers, a clergyman, a musician, a novelist, and a phrenologist, to dine with him and share their views.

A tender and elegiac tale, William and Mary was first published in The Century Magazine in December 1920 (vol. 101).