Showing results by narrator "Elizabeth Klett" in All Categories

November, 1923. Olive’s school chum Gigi invites Olive to London because Gigi’s dotty grandmother fears for her life - or so she’s said to Gigi. However, Olive is surprised to find that the dowager is far from muddled. The sharp and imperious matriarch refuses to admit to her worries and sends Olive on her way.

Sylvie and Bruno was the last novel completed by Lewis Carroll and was published in two parts. The second volume, which is the subject of this recording, appeared in 1893. This book deals with the resolution of the conflicts described in the first volume. Arthur and Muriel are finally united after a traumatic separation and Sylvie and Bruno are reconciled with their wayward uncle, who has shown a strong ambition to take over the kingdom temporarily vacated by his brother.

This book introduces important concepts in philosophy through the vast array of provocative issues raised by the series, such as the ethics of the Prime Directive, Star Trek's philosophy of peace, Data and Voyager's Doctor as persons, moral relativism and the Federation's quest for liberation, the effect of alternate universes on reality and identity, the Borg as transhumanists, Federation Trekonomics, Star Trek's secular society, and much, much more!  

In Jane Austen's unfinished novel, young Emma Watson returns to her father's house after being raised by her wealthy and refined uncle. As she gets to know her family, she finds that her father is reclusive and sickly, her sisters are crude and shallow, and her eldest brother has a petulance that is matched only by his wife's.  

A shadowed past. A vengeful goddess. What price will Gwyn pay to discover her destiny? Wrenched from her mundane life as a herbalist's apprentice, teenage orphan Gwyn learns she is hunted by an ancient goddess. For 17 years she's been protected by her guardian, hidden away like a dark secret. But suddenly, she is thrust into the care of some unlikely companions, pursued by wizards and confronted by the dangerous powers she's spent her life suppressing....  

After eight months as a maid of court, Catherine Howard has become Queen. Separated from past friends and surrounded by people who resent her rise to the throne, the sole close companion she has left is Jane Boleyn, the infamous Lady Rochford. And this is not the only strain upon Catherine. People from her past come calling, the threat that the King may find out she is not the pure, innocent maiden he thinks she is puts her in peril. Catherine must imitate the Queens of the past in order to survive.

In this moody Russian drama, Ivanov is a melancholic impoverished landowner whose wife is dying of tuberculosis. However, he finds himself irresistibly drawn to the beautiful Sasha, the daughter of his wealthy neighbors. Augmented by a diverse array of colorful supporting characters and intrigues, this play provides a glimpse of master dramatist Anton Chekhov's early work.

Daughter of the nobility, cousin to a fallen Queen, Catherine Howard rose from the cluttered ranks of courtiers at the court of Henry VIII to become the King's fifth wife. But hers is a tale that starts long before the crown was placed on her head. A tale of tragedy and challenges, predators and prey; the story of a young girl growing up in a perilous time, facing dangers untold. The fifth wife of Henry VIII would end her life on the block, like her cousin Anne Boleyn...but where did her story begin?

Robert never quite feels at home with Cassie's family, a gang of eccentrics including a reptile smuggler, a worshipper of Osiris, and an old woman who believes her photographs can see into the future. When he breaks up with Cassie, she is so upset that she gives him the most terrible thing she can offer: an envelope of her grandmother's photos, which show in detail the path that Robert's life will take. At first, this vision of the future gives him strength - but soon it becomes a prison on glossy paper. 

Rosa and Mason once had a billion credits - sure, they stole them from a corrupt private-prison corporation, but the bastards deserved it. Now, that company's tracked them down and kidnapped Mason's mother. The only way to keep her, and themselves, alive is to go to work for the company that once imprisoned them, then head for the Asteroid Belt to hack a pirate king's datastream - oh, and give back the billion credits. Rosa's not sure it's a fair trade.

My life has revolved around the two things I've always loved: whiskey and rugby. Now, the marriage clause in my Da's will has me putting both on the back burner if I want to save the Murphy's Pub empire and find a wife. As the last brother to get married, I need a little help, and that's where my sister-in-law's American best friend, Leah, comes into the picture. She could use a little Irish luck after the deceitful things her ex did to her that brought her to Ireland.

Hedda and George Tesman have just returned from their six-month honeymoon tour of the Tyrol. George, a studious and somewhat dull academic has spent most of the time continuing his research. Hedda, the daughter of the celebrated, aristocratic General Gabler, recently deceased, has been accustomed to the finer things in life. She is already bored in her marriage and diverts herself with her father's pistols and the attentions of family friend, Judge Brack.    

Sylvie and Bruno was the last novel completed by Lewis Carroll and was published in two parts. The first volume, which is the subject of this recording, appeared in 1889. The story is presented by an unnamed narrator, who oscillates between two worlds: a fantasy fairyland, populated by characters similar to those in Alice in Wonderland, and the real world environs of a small village by the sea, in which the narrator has taken up temporary residence for health reasons. 

A fake wedding between a billionaire and an executive assistant in need of financial help sounds like the perfect fix, but what happens when feelings get involved? 

For Mason Guthrie, a sudden arrest, railroad trial, and quick conviction for the "vandalism" of fixing things around his tenement building come as a shock. For Rosa Fuentes, it's just more confirmation that, to Earth's rulers, they're nothing but commodities to be bought and sold. Together - along with Rosa's disturbingly capable AI - they break out and make their way off Earth to start a new, free life. Unfortunately, the folks they stole a billion credits from along the way would like those back.

Cole, an old sea captain, lives on a ship with his daughter and her immigrant husband. The trio prepares for a deluge, while Cole meets Daphne, a mermaid who seduces and tempts him. As tensions rise with the rolling tides, Cole must make a difficult choice: take a leap into the unknown, or stay on the safe side. This is a story about connection and separation, about tolerance and the decision to cut ties.

Spring Awakening (German: Frühlings Erwachen) was the first major play by Frank Wedekind. It was written in the early 1890s but, due to opposition from censorship authorities, was not presented on stage until 1906. The play explores two contentious themes: the development of adolescent sexuality and the repressive nature of the German education system.

E.M. Forster's classic 1910 novel follows the lives and loves of the Schlegel sisters, Margaret and Helen, as they attempt to make connections with members of two very different families: the conservative, wealthy Wilcoxes, and the working-class Basts. 

According to legend, the Pyncheon family has been cursed by their 17th century ancestor, Colonel Pyncheon, who stole the land from Matthew Maule. Maule was later put to death after being accused of witchcraft and the deed for the land could not be found. Now living in the New England mansion fraught with haunted miseries of the past, Hepzibah Pyncheon opens a small shop to pull herself from the poverty-striken curse she has lived under while her brother, Clifford, was serving a decades-long prison sentence for murder.

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".