Director Memoir

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

In 1971, Newsweek heralded The Last Picture Show as "the most impressive work by a young American director since Citizen Kane." Indeed, few filmmakers rivaled Peter Bogdanovich's popularity over the next decade. Riding the success of What's Up, Doc? (1972) and Paper Moon (1973), Bogdanovich became a bona fide celebrity, making regular appearances in his own movie trailers, occasionally hosting late-night television shows, and publicly advocating for mentors John Ford and Howard Hawks.

Caroline Calloway is the viral storyteller who helped define the modern influencer era – an online legend whose life became one of the internet's most captivating sagas. Her voice isn't just distinctive – it is the culture she helped create. In Scammer: The Director's Cut, Caroline Calloway shares with you exactly how it is in her fabulously chaotic mind. 'The Director's Cut of the Scammer audiobook is an internet invention that's the first of its kind. And like all of my best breakthroughs it takes the existing framework of online culture we already know and love, and innovates.

‘The bombshell book everyone is talking about’ DAILY MAIL ‘A radio genius … the maestro of the show’ EVENING STANDARD As presenter of Radio 4’s Today, the nation’s most popular news programme, John Humphrys was famed for his tough interviewing. He has been at the heart of...

David Jiménez va ser nomenat director d'El Mundo. La il·lusió es va anar transformant en una crua batalla per defensar la independència del periodisme, que va acabar amb l’acomiadament del director després d'un any en el càrrec. Jiménez destapa aquí la podrida xarxa de pressions i influències que s'estableix entre els grups de poder econòmic i polític, i la premsa que suposadament ha de vigilar els dos primers. El director és un relat únic sobre com funciona el joc de favors entre els mitjans i l’elit d’un país, i quin preu paguen els que es neguen a participar-hi.

El Director es un retrato íntimo de las encrucijadas éticas, las relaciones personales, las amistades y deslealtades que se viven cuando se ocupa el despacho de uno de los grandes diarios del país. David Jiménez hizo carrera cubriendo guerras, desastres y revoluciones durante casi dos décadas antes de ser nombrado director de El Mundo. Lo que parecía un reto ilusionante - dirigir el diario en el que entró como becario a los 23 años.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

The Instant #1 New York Times Bestseller! This program is read by the author. A dramatic insider account by the former deputy director of the FBI detailing how law enforcement battles terror threats, Russian crime, and attacks by the White House itself on the US Constitution. On March 16, 2018...

Esta antología de semblanzas biográficas, textos críticos, análisis cinematográficos y reveladoras entrevistas con sus colaboradores de confianza, es el resultado de años de consagración al apasionado estudio de la obra de tan prolífica hermandad. El crítico de cine Adam Nayman, además de celebrar y diseccionar los logros de este singular contubernio, nos acerca a su obra para trazar, como él mismo proclama con la pompa que la ocasión merece, una gran teoría unificada de lo que el propio Nayman ha dado en llamar «coentáneo».

François Truffaut: il giovane cinefilo che, all’inizio degli anni Cinquanta, inventa un nuovo modo di fare critica, scoprendo Hitchcock e il cinema americano; il regista che inaugura la Nouvelle Vague con I quattrocento colpi; e soprattutto l’artista che sa trasformare il personale in universale, e rivolgersi a tutti gli spettatori, ma parlando a uno a uno, confidenzialmente. I suoi film, al contrario di quelli di molti suoi compagni d’avventura, restano, inattaccabili dal tempo che passa, e il vuoto che ha lasciato alla sua morte, nel 1984, è uno dei più lancinanti nel cinema contemporaneo.

Los Angeles, anni trenta. Con l’avvento del nazismo il regista Georg Wilhelm Pabst lascia la Francia dove sta lavorando e si trasferisce negli Stati Uniti. È uno dei grandi maestri del cinema tedesco d’avanguardia, ha diretto le più importanti star del muto e portato al successo Greta Garbo rendendola immortale, ma in America è solo uno come tanti. Incapace di adattarsi ai meccanismi dello studio system, dopo aver girato un film che si rivela un fiasco, non vede più un futuro a Hollywood e abbandona il sole della California per tornare in Europa.

Un'auto lascia Roma di primo mattino. Alla guida c'è un affermato regista. Sul sedile accanto, l'uomo che da molti anni ama di un amore sconfinato. Mentre la città si allontana, il regista decide di narrare al compagno silenzioso il suo mondo «prima di lui». Inizia così un viaggio avanti e indietro nel tempo. Tante storie si intrecciano, esilaranti eppure commoventi, fino a comporre «la Storia» di un'esistenza che si annulla in un'altra come estremo dono d'amore.

Blending a behind-the-scenes history of New York City’s Public Theater with an affecting remembrance of her husband, Public Theater founder Joe Papp, Public/Private is Gail Merrifield Papp’s enthralling and heartfelt memoir of a legendary theatrical institution.

Kurz vor seinem 30. Geburtstag steckt Filmemacher Hubertus Koch in einer weiteren ausgebrannten Episode seines Lebens. Enttäuscht von den Klischees der Medienwelt und den leeren Glücksversprechen einer Leistungsgesellschaft kündigt er von einem Tag auf den anderen seinen Job und steigt in ein Flugzeug Richtung Osteuropa. Weit weg von zu Hause - in Bosnien, Montenegro und Albanien -, wo ihn niemand kennt und niemand etwas von ihm will, versucht er, sich selbst einzuholen.

This program is read by the author. From Don Coscarelli, the celebrated filmmaker behind many cherished cult classics comes a memoir that's both revealing autobiography and indie film crash course. Best known for his horror/sci-fi/fantasy films including Phantasm, The Beastmaster, Bubba Ho-tep...

"The iconic stage director, writer, actor, and founder of The Manhattan Project, a 1960s-70s avant-garde theater company, delivers smart, clever observations with an actor's perfect timing. From harsh beginnings—never sentimentalized—to a series of adventures—sometimes funny, sometimes...

From Tony Award-winning director and recipient of the prestigious Mr. Abbott Award, Kenny Leon, comes a powerful memoir of the lessons he has learned on his incredible life journey. When Kenny Leon's grandmother told him to "take you wherever you go," she could hardly have anticipated that he...

From the renowned director of Crazy Rich Asians and Wicked comes a powerful, inspiring memoir of belonging, creativity, and learning to see who you really are. “[Jon M. Chu] is a visionary. . . . He makes you believe you can do the impossible. He coaxes what he needs out of us to help him tell...

Conheça a trajetória de alguns dos maiores diretores que revolucionaram o cinema mundial em Grandes diretores de cinema. A obra mergulha na vida e na carreira desses visionários, desvendando suas influências, métodos de criação e a paixão que impulsionou cada um a redefinir o que é arte cinematográfica. Com histórias de bastidores, curiosidades e características de suas obras-primas, o livro oferece uma imersão na mente dos gênios que mudaram a forma como o mundo vê e sente o cinema.

Tal vez más que cualquier otro director, Alfred Hitchcock ha dejado una huella profunda en la manera de mirar y hacer cine. Algunas de sus escenas (como la de la ducha en "Psicosis") son recordadas incluso por quienes nunca vieron una de sus películas. Películas atrapantes como pocas, gracias a los guiones elaborados pero ágiles y a sus innovaciones fílmicas, por ejemplo al colocar la cámara decididamente en la perspectiva de un personaje.