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The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Wills & Trusts Wealth Management Founder David Batchelor interviews a series of guests with one thing in common - they're all experts in their field. Listen along as he interviews a central banker, a mergers and acquisitions CEO, a property entrepreneur and many, many others...

Dickens called David Copperfield his "favourite child," and many critics consider the novel to be one of his best depictions of childhood. Set in early Victorian England against a backdrop of great social change, Dickens acutely observed the phenomena of the Industrial Revolution and used them as the canvas on which he painted the novel. Many consider David Copperfield to be the author’s finest work.