To a nation fed on classical music, the advent of Rahul Dev Burman with his repertoire of Western beats was a godsend. RD revolutionized Hindi film music in the 1970s, and with his emphasis on rhythm and beats, this Pied Piper of Hindi film music had young India swinging to his tunes. At the same time, this genius proved his many detractors who criticized him for corrupting popular taste wrong by composing some of the most influential raga-based songs in Hindi cinema and showing an immense comfort with all kinds of music, including Indian folk.

An intimate peek into the life of the soldier-turned-lyricist Anand Bakshi, from his formative years in undivided Punjab to eventually moving to Bombay and landing his first film Bhala Aadmi in 1958. Along the way, he lost his mother, his place of birth, and his home and wealth, but his zeal to stand up and walk after every stumble and his desire to become a film artist never abated. He eventually rose to become one of the most revered and sought-after lyricists in Hindi cinema, writing nearly 3300 songs in about 630 films over the next five decades. 

In Romancing with Life, the first-ever full-fledged memoir by a leading Bollywood star, Dev Anand tells his remarkable life story like only he can. Dev Anand has produced an unputdownable audiobook chock-full of bittersweet reminiscences, written in a pacy, effervescent style that carries the listener through 60 of Bollywood's most interesting years. Romancing with Life is the quintessential Dev Anand. 

Madhubala - the very name conjures up vivid images of a love goddess possessing bewitching beauty, dazzling radiance, subtle sensuality and, above all, a tantalizing screen presence. Her ‘reel life’ histrionic performances held (and continue to hold) audiences/viewers entranced. Her talent was phenomenal, and she could literally glide through a movie, whatever be the role. She could convey an impressive array of emotions with her eloquent eyes and facial expressions without resorting to melodramatic contortions. 

Sanjeev Kumar was the antithesis of the typical Bollywood hero doing romance and action. Not one to crave glamorous roles, he was more interested in versatility. From his mature roles in films like Mausam and Aandhi to his comic timing in Angoor or the angst of person with disabilities in Koshish-he was truly a thinking man's actor. His expressive face, inflections and pauses, natural ease for lip-syncing, all of it made him the complete package.