Bram Stoker's Dracula
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Written by:
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Bram Stoker
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Robyn Ahern - adaptation
For centuries, Dracula has evaded capture. Enter Mina Harker.
Audible presents Dracula, a brand-new, full-cast adaptation of Bram Stoker's masterpiece starring Ella Purnell, Jonathan Bailey, Aimee Lou Wood, Louis Partridge, David Jonsson, and Maggie Gyllenhaal.
When her fiancé vanishes in Transylvania, Mina pieces together letters, diary entries and chilling testimony to hunt the predator stalking those she loves: only to discover he's already hunting her. Dracula lurks in shadow, slips into dreams, and casts no reflection. To nearly all, he defies detection: beyond what the eye can see, and what the mind can comprehend. When her closest friend Lucy succumbs to his thrall, the enigmatic Professor Van Helsing is summoned to wage war on this unfathomable threat. But it is Mina, her intellect, her resolve, her gift for drawing the unseen lines between clues, who holds the key to stopping this ancient killer. If he hasn't already found his way inside her mind…
Starring Ella Purnell (Fallout) as Mina, Jonathan Bailey (Wicked) as Dracula, Louis Partridge (Enola Holmes) as Jonathan, David Jonsson (Industry) as Dr Seward, Aimee Lou Wood (The White Lotus) as Lucy, Johnny Flynn (Emma) as Renfield, Lesley Manville (The Phantom Thread) as Mrs. Westenra, and Maggie Gyllenhaal (The Dark Knight) as Professor Van Helsing, this is Bram Stoker's groundbreaking epistolary novel, given a new lease of life.
Directed by Mary Lambert (Pet Sematary) featuring an original score by Ilan Eshkeri (Audible's 1984, House of Guinness) and with full sound design, Audible's Dracula invites you to feel the terror of being hunted. And the thrill of the hunt.
Note: this adaptation contains scenes that some may find uncomfortable. Listener discretion is advised.
Available in Dolby Atmos on Audible.
©2026 Audible Ltd. (P)2026 Audible Ltd.In particular, changing the gender of an important character feels unnecessary when adapting a well-established classic. If an adaptation is going to make major changes to the characters, I would like those changes to have a clear storytelling purpose rather than feeling like they were made to fit contemporary social or ideological themes.
There is nothing wrong with creating new stories with different characters and perspectives. But when adapting a classic, I believe the original characters, relationships, and core identity of the story should be respected.
I would have preferred a more faithful adaptation of Bram Stoker’s Dracula rather than one that substantially alters key elements of the original.
Please Stop Changing the Core of Classic Stories
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