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City Like Water

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City Like Water

Written by: Dorothy Tse
Narrated by: Kenichiro Thomson
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The city you grew up in is gone, as if sunk to the bottom of the ocean. So much has vanished with it – counterfeit watches, streets echoing with the sound of stilettos, and even some of your classmates and teachers. Then the disappearances come closer to home.

Your mother joins a housewives’ protest over fake lotus roots only to be turned into a statue by the police. Your father is quietly absorbed into the enormous TV gifted by the government, reappearing in the background of soap operas. And didn’t you once have a little sister, before she flew away?

As the police go undercover and transform your neighbourhood into a violent labyrinth you can no longer navigate, where does this leave you? Lucid, nightmarish and indelible, City Like Water is a wondrous tale of a city not so different from your own.

©2021 Dorothy Tse (P)2021 Fitzcarraldo Editions
Coming of Age Dystopian Genre Fiction Literary Fiction Political Science Fiction Urban
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Critic Reviews

‘Through the vibrancy of his account, Tse binds us to our narrator, even as he remains apathetic to the damage mounting before his eyes. Strip away the magical devices, and the novel describes the loneliness that enfolds and isolates people as popular movements flag, as the gravity disperses, and brighter possible futures are extinguished. In City Like Water, Tse suggests that so long as its citizens conserve the memory of their distinct and irrepressible city, whether in prison or exile, a chink of hope remains.’

— Katherine Waters, The Telegraph

‘The seductive beauty of Tse’s writing has won her awards, and is perceptively captured by Natascha Bruce, who also translated Tse’s much praised first novel, Owlish. Dazzling imagery carries the narrative – and the city itself – far out to sea, as Kafka and Borges, old masters of the surreal and avuncular figures, look on approvingly from the shore.’

— Lee Langley, Spectator

‘[The] evocative imagery is testament to Tse’s ability to capture the immediacy of home with so few words and such taut prose, and to Natascha Bruce’s brilliantly rendered translations…. With wit, fury, and astonishing inventiveness, Tse has again delivered a clear-eyed parable of state power and political violence, fusing satirical realism with terrifyingly lucid surrealism, fiction masquerading as fact.’

— Sharon Chau, Oxford Review of Books

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