Devlok

Are the illustrious clans of the Mahabharata from Surya Vansh or Chandra Vansh? Which yuga does the Ramayana occur in, and does it occur only once? What do haldi, kumkum, bhasm or chandan signify in a puja thali? After the sensational response to Season 1 of EPIC Channel’s Devlok with Devdutt Pattanaik, Devdutt invited his viewers and fans to ask him questions about Hindu mythology, which he has answered over thirty thrilling episodes. Prepare to be educated, entertained and moved as Devdutt delves into the exhilarating variety of Hindu mythology.

Locked in the stories, symbols and rituals of Vishnu is the wisdom of the ancestors, transmitted over hundreds of years. This book attempts to unlock seven secrets that are relevant even in modern times.

Hindus have one God. They also have 330 million gods: male gods; female gods; personal gods; family gods; household gods; village gods; gods of space and time; gods for specific castes and particular professions; gods who reside in trees; in animals; in minerals; in geometrical patterns and in man-made objects. Then there are a whole host of demons. But no Devil.

Shiva, 'the destroyer' among the Hindu trinity (of gods), is depicted in many contradictory manners. The author, Devdutt Pattanaik, introduces listeners to these varied aspects and representations, and then sets about interpreting them. He explains the different anomalies and conflicts in beliefs, as well as the symbolism, rituals and reasons behind Hindu worship.

Taken literally, stories, symbols and rituals of Hindu mythology have much to say about gender relationships. Taken symbolically, they reveal many more things about humanity and nature. Which is the correct reading? The third title in the bestselling Hindu Trinity series focuses on the goddess, and respected mythologist Devdutt Pattanaik tries to unravel the secrets locked within her stories, symbols and rituals.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

In this landmark book, best-selling author, leadership coach and mythologist Devdutt Pattanaik shows how, despite its veneer of objectivity, modern management is rooted in Western beliefs and obsessed with accomplishing rigid objectives and increasing shareholder value. By contrast, the Indian way of doing business, as apparent in Indian mythology, but no longer seen in practice, accommodates subjectivity and diversity and offers an inclusive, more empathetic way of achieving success.

The Bhagavata is the story of Krishna, known as Shyam to those who find beauty, wisdom, and love in his dark complexion. It is the third great Hindu epic after the Mahabharata and the Ramayana. However, this narration was composed in fragments over thousands of years, first as the Harivamsa, then as the Bhagavata Purana, and finally as the passionate songs of poet-sages in various regional languages.

A Pallava prince travels to Cambodia to be crowned king, carrying with him secrets that will be the cause of great wars many centuries later. A Buddhist monk in ancient China treks south to India, searching for the missing pieces of a puzzle that could make his emperor all-powerful. A Neolithic tribe fights to preserve their sacred knowledge, oblivious to the war drums on the Indo-China border. Meanwhile, far away in the temple town of Kanchipuram, a reclusive scientist deciphers ancient texts even as a team of secret agents shadows his every move.

Queerness isn’t only modern, Western, or sexual, says mythologist Devdutt Pattanaik. Take a close look at the vast written and oral traditions in Hinduism, some over 2,000 years old, and you will find tales of Shikhandi, who became a man to satisfy her wife, Mahadeva, who became a woman to deliver a devotee’s child, Chudala, who became a man to enlighten her husband, Samavan, who became the wife of his male friend, and many more....

This special omnibus edition brings together two best-selling books by Devdutt Pattanaik, India’s most famous and renowned mythologist. My Gita and My Hanuman Chalisa are part of a series where Devdutt does ‘darshan’ of the scriptures, not just gods, and helps listeners navigate through scriptures that seem forbidding (Bhagavad Gita) and simple ones whose sophistication is often overlooked (Hanuman Chalisa). 

There is perhaps no political figure in modern history who did more to secure and protect the Indian nation than Sardar Vallabhbhai Patel. The Man Who Saved India is a sweeping, magisterial retelling of Sardar Patel's story. With fiercely detailed and pugnacious anecdotes, multiple award-winning, best-selling writer Hindol Sengupta brings alive Patel's determined life of struggle and his furious commitment to keep India safe. This audiobook brings alive all the arguments, quarrels, and clashes between some of the most determined people in Indian history.

In My Gita, acclaimed mythologist Devdutt Pattanaik demystifies The Bhagavad Gita for the contemporary reader. His unique approach - thematic rather than verse by verse - makes the ancient treatise eminently accessible. In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships.

He appears out of nowhere in a sleepy little neighbourhood in suburban Kerala. He calls himself Shunya, the zero. Who is he? A lunatic? A dark magician? A fraud? Or an avadhuta, an enlightened soul? Saami, as they call him, settles into a small cottage in the backyard of the local toddy shop. Here he spins parables, blesses, curses, drinks endless glasses of black tea and lives in total freedom. On rare occasions, he plays soul-stirring melodies on his old bamboo-reed flute. Then, just as mysteriously as he arrived, Shunya vanishes, setting the path for a new avadhuta, a new era.  

Welcome back to the shadowy and addictive world of Ashwin Sanghi. After The Rozabal Line, Chanakya’s Chant, The Krishna Key and The Sialkot Saga, Ashwin Sanghi returns at last with another quietly fearsome tale - this time of men who guard the ‘Kalachakra’, or The Wheel of Time. Sanghi describes a world of people at war with one another - a boomeranging conflict of faiths that results in acts of such slow and planned human cruelty that they defy human imagination.