Do Kadam Aur Sahi [Two Steps and Right]

Naraz has many references that reflect the resenting virtue of Rahat Indori. A lyricist of films par excellence, and a master of literature in college, he is a famous poet loved by all - who also accomplishes in playing with colours and lines. Besides all these traits, he is also able to discern the inner and outer dilemmas of people against the political and social backdrop.

This book is about Sahir Ludhianvi, one of the greatest poets and lyricists of Hindi films. Sahir Ludhianvi, whose original name was Abdul Hayee, wrote poems that were different from his contemporaries who limited themselves to singing paeans on god, beauty, or wine. Instead, his poems were about other things: declining values of society, the meaninglessness of war and the subsummation of love by consumerism.

Dr. Bashir Badra is considered an poet of such stature, who has not only transcended into his readers' hearts and minds through the fame of his published couplets but also into the literary hall of fame of well-received poets. For his contribution to Urdu and Hindi literature, he was awarded the prestigious Padma Shree in 1995. Dr. Badra has been a part of many prestigious mushayraas world over. Dr. Badra's style of poetry resonates with the common man and demystifies the world of Urdu shayari while staying true to its essence. 

This book revolves around the life of renowned Indian Urdu poet and lyricist of films in Hindi, Majrooh Sultanpuri. This book describes his life and career as an Urdu poet, lyricist, and songwriter in the Hindi film industry. He has written lyrics for a number of Hindi–Urdu soundtracks. He was one of the most dominant figures in Indian Urdu poetry and is still considered to be one of the finest avant-garde poets of 20th-century Urdu literature.

This book, written by Prakash Pandit, describes the events in the life of Firaq Gorakhpuri, who was an Urdu poet, writer and critic. He was one of the most noted contemporary Urdu poets from India, and he has written a number of ghazals, nazmas, rubais and stories. Many of his works are still revered for their contemporary relevance, and he was awarded Padma Bhushan in the later part of his life. The number of ghazals written by him is said to be in the hundreds, and a few selected ones are given in a separate section of the book. 

 Talkhiyan literally means ‘bitterness’ and was written in the poet’s student days. He discovered his unique style of expression by weaving his poetry with shades of bitterness that captured the decadence of the contemporary world. His romanticism was not in praising beauty or the consuming passion of love, but in sensitively urging the reader to empathise with other challenges of the world. His heart went out to the suffering of people in war, debt, poverty, homelessness, political conflict and gender inequality.  

Ghalib is the greatest Urdu poet and one of the greatest in any Indian language. He would rank perhaps among the great poets of the world. With Meer Ghalib, Iqbal and Faiz, to name only four, the firmament of Urdu poetry is truly star studded, with numerous starlets strewn around. Ghalib has not only a pride of place among them; his stature is growing with every passing decade. In fact it is well nigh impossible to do full justice to his poetry, particularly the ghazal in translation. The best that could be done was to translate the verses into independent rhymed couplets.

Mirza Ghalib was an Urdu poet who is known for his unique and smooth style of writing. This book is a compilation of the events which happened throughout his life, along with few of the poems written by him. The poems in this book are an ideal listen for people who are fascinated by Urdu poetry but do not understand the nastaliq, the script in which Urdu is written.  

Kurukshetra is a Hindi classic. It gives an extraordinary account of the Kurukshetra war mentioned in the Mahabharata. It describes in vivid details the armed confrontation that took place between the Pandavas and the Kauravas. This bloody war lasted eighteen days. The author's own views on war are showcased in this work. He criticizes war but also admits that it is a necessary evil. It describes the demerits of war and the damage it does to mankind, through the medium of poetry.

The compositions of Wasim Barelvi, an exponent of Moradabadi School of poetry, appeal to the classes and masses alike. Charag is a compilation of these works. Known for his deft handling of easy and everyday language, the poetry of Wasim wins the hearts of all. It also shows Wasim Barelvi’s engagement with contemporary times and its issues. His poems do not just dwell in any imaginary world, but contemporary problems and events form an integral part of his repertoire, which makes his works more relevant. 

Satyajit Ray is well known for his contributions to Indian literature. His short stories often explore the macabre and the supernatural and are often marked by keen characterization. This collection brings together Ray’s best short stories - including such timeless gems as ‘Professor Hijibijbi’, ‘Ratan Babu aur Veh Admi’ and ‘Bhakt’. A collection of 12 short stories.

Kulfi and Cappuccino is a trendsetter in the arena of new wave Hindi writing. It's an earnest attempt to celebrate youth, their life, aspirations, confusions and love stories. The novel is set in Jaipur. The plot of the story revolves around two central characters - Anurag and Neha. Anurag narrates the story. He is a middle class boy who comes to Jaipur to fulfill his father's dream (Mere Bete Ka Bhi Bada Package Hoga). He meets Neha. A series of exciting incidents and meetings later, Anurag and Neha to realize they are becoming more than just friends.

Meri Priya Kahaniyaan contains the favourite stories by the fierce and celebrated poet Amrita Pritam, selected by her. Amrita Pritam, the first female Punjabi poet, novelist, and essayist, and the leading voice of 20th-century Indian literature, was awarded Jnanpith in the year 1982. She authored more than a hundred compositions and has left a special mark in the stories, just like her poems, which are about female sexuality, self-realisation and the pain of loss at a time when women mostly wrote on conservative themes.

Dariya sahab ke sutra se aarambh hoti hui yah pravachan mala vividh bhangimaon ke saath Osho ki vaani se rassikt hai. Jaat, paat, dharm, raajneeti mein chipe hue paakhand ka pardafaash karte hue Osho hamein ek anant ki yatra ka sanket dete hain. Ve kehte hain, mera sanyaasi anhad ki talaash mein laga hai, seemaon ka atikraman kar raha hai. Ghar chodna nahi hai, ghar mein rehte hi jaanna hai ki ghar meri seema nahi hai. Parivaar chodna nahi hai.

A living picture of the entire life of the Indian farmer - his aspiration and despair, his sincerity and religious piety, his helplessness and innocence.