Idris

The story of a woman's search for strength and independence Meet Akhilandeshwari, Akhila for short: 45 and single, an income tax clerk and a woman who has never been allowed to live her own life - always the daughter, the sister, the aunt, the provider. Until the day she gets herself a one-way ticket to the seaside town of Kanyakumari, gloriously alone for the first time in her life and determined to break free of all that her conservative Tamil brahmin life has bound her to.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Balram Halwai is the White Tiger - the smartest boy in his village. Too poor to finish school, he has to work in a teashop until the day a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. Balram becomes aware of immense wealth all around him, and realizes the only way he can become part of it is by murdering his master. The White Tiger presents a raw and unromanticized India, both thrilling and shocking.

Shuklaji Street, in Old Bombay: In Rashid's opium room a young woman holds a long-stemmed pipe over a flame as men sprawl and mutter in the gloom. In Shuklaji Street they say you introduce only your worst enemy to opium. But then whispers build of a new terror, something that shifts the tenuous balance of survival for the city's nameless, invisible poor. A rich, hallucinatory dream of a novel, Narcopolis captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets and gangsters, it is a lyrical and unforgettable journey into a sprawling underworld.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.