Episodes

  • Ep69 - Women In Sound “Amplify” series - part 3 - Gwen Yates Whittle

    Ep69 - Women In Sound “Amplify” series - part 3 - Gwen Yates Whittle
    May 19 2026
    Academy Award, BAFTA and AMPS Award Winning Gwen Yates Whittle, Supervising Sound Editor on F1: The Movie talks to Nina Hartstone and Louise Burton about her journey into the industry and their shared passion for sound and helping the next generation. Recorded by Richard Thomas AMPS Equipment loan and editing Kate Davis and Azimuth Post Production
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    25 mins
  • Ep68 - Women In Sound “Amplify” series - part 2 - Shelly Roden & Karo Jedrus

    Ep68 - Women In Sound “Amplify” series - part 2 - Shelly Roden & Karo Jedrus
    May 19 2026
    Award winning Shelly Roden from Skywalker Sound talks to Louise Burton and Karo Jedrus (Jedrzejczyk) about mentorship and her passion for foley. Recorded by Ludovic Lasserre AMPS Equipment loan and editing Kate Davis and Azimuth Post Production
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    22 mins
  • Ep67 - Women In Sound “Amplify” series - part 1 - Nancy Nugent Title

    Ep67 - Women In Sound “Amplify” series - part 1 - Nancy Nugent Title
    May 19 2026
    Nancy Nugent-Title, Supervising Sound Editor on Jon M Chu's incredible award winning Wicked films talks to Nina Hartstone and Louise Burton about her journey in to sound and the welcome changes in the industry. Recorded by Paul Paragon AMPS Equipment loan and editing Kate Davis and Azimuth Post Production
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    24 mins
  • Ep66 - Acon Digital - Stian Aagedal

    Ep66 - Acon Digital - Stian Aagedal
    May 8 2026
    Stian Aagedal talks with Martyn Harries AMPS about his company (actually his father's company!) Acon Digital and how as a schoolboy he couldn't find audio recording software that would do what he wanted and so he developed Acoustica and marketed that under the wing of his father's company. He explains about some of the more difficult programming tasks and gently enlightens Martyn who knows nothing about programming!
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    20 mins
  • Ep65 - Production Sound Mixers - Adam Fletcher, Simon Hayes, Paul Paragon and Nadine Richardson

    Ep65 - Production Sound Mixers - Adam Fletcher, Simon Hayes, Paul Paragon and Nadine Richardson
    Mar 6 2026
    Production Sound Mixers Nadine Richardson, Simon Hayes, and Adam Fletcher in conversation with host Paul Paragon about the importance of the production sound mix. We hear about how the off-lines, breaths and capturing the original, authentic performances are key to fabulous sound and so much more! Fascinating insights from some of our top UK PSMs. This AMPS Podcast is sponsored by URSA Straps https://ursastraps.com Recorded by Richard Thomas AMPS. Edited and mixed by Kate Davis AMPS at Azimuth Post Production
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    47 mins
  • Ep64 - EPiC - Wayne Pashley

    Ep64 - EPiC - Wayne Pashley
    Mar 5 2026
    Martyn Harries AMPS in conversation with Sound Designer Wayne Pashley about the cinematic experience of Elvis telling his own story, in his own words in Baz Luhrmann's film EPiC. Wayne talks about his 30 plus year working relationship with the director and how the team were given the freedom to explore and create a tone poem based around live performances, rehearsal footage and a never before broadcast, 45 minute recording of Elvis talking about his life.
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    31 mins
  • Ep63 - Sirat - Laia Casanovas and Yasmina Praderas

    Ep63 - Sirat - Laia Casanovas and Yasmina Praderas
    Mar 4 2026
    AMPS’ Nina Hartstone talks to Sound Designer Laia Casanovas and Re-Recording Mixer Yasmina Praderas from the first all woman sound team to receive an Academy Award nomination about their work on the Spanish desert rave film Sirât. Hear how they managed to recreate the authentic sound and feel of the raves, and how they used sub bass and dynamic range to create tension and contrast in the incredible and impactful soundtrack for this unique film. Mixed and Edited by Kate Davis at Azimuth Post Production
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    31 mins
  • Ep62 - Mission: Impossible - The Final Reckoning - Sound Team

    Ep62 - Mission: Impossible - The Final Reckoning - Sound Team
    Jan 24 2026
    Louise Burton AMPS talks with the sound team responsible for AMPS Award nominee Mission: Impossible - The Final Reckoning. Production Sound Mixer Lloyd Dudley, Key First Assistant Sound Cei Frampton, Re-recording mixers Mark Taylor and Chris Burdon, and Supervising sound Editor James Mather. What do you do when asked to provide sound in a bespoke dive mask - and you can't even touch it? Hear about how the energetic "grit and dirt" in the sound track is what Tom wants to achieve. Thanks to Sebastian Dressel AMPS for editing/preparing this episode
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    28 mins