Episodes

  • Ep61 - Train Dreams - Tom Taylor & Lee Salevan

    Ep61 - Train Dreams - Tom Taylor & Lee Salevan
    Jan 17 2026
    Martyn Harries AMPS in conversation with Tom Taylor - Production Sound Mixer and Lee Salevan - Re-Recording Mixer /Supervising Sound Editor about their work on Clint Bentley's film "Train Dreams". We hear about the training and preparation Lee had for working on quiet films and about the scene which moved Tom to tears.
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    29 mins
  • Ep60 - Sinners - Sound Team

    Ep60 - Sinners - Sound Team
    Jan 16 2026
    Martyn Harries AMPS talks with the post and production sound team from Ryan Coogler's AMPS nominated film ‘Sinners’. Find out how they built the soundtrack for the intense surreal montage, the implications frequent recuts had on the foley tracks, and how Felipe, the music editor coped with the rigours of being on set. With Martyn in this episode are, Chris Welcker, Brandon Proctor, Steve Boeddeker, Benny Burtt, David Butler, Felipe Pacheco Thanks to Isabell Derr and Kate Davis of Azimuth Post Production for their help editing this episode
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    48 mins
  • Ep59 - Andor S2 - Margit Pfeiffer and David Acord

    Ep59 - Andor S2 - Margit Pfeiffer and David Acord
    Jan 11 2026
    Martyn Harries AMPS talks with the Co-Supervising Sound Editors Margit Pfeiffer and David Acord (also Sound Design) about their work on Andor Season 2. We hear how the legacy sounds from Star Wars are respected and enhanced and about how the Ghor language was created and how cast member have become fluent speakers.
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    20 mins
  • Ep58 - Springsteen: Deliver Me from Nowhere - David Giammarco, Eric A Norris & Tod A Maitland

    Ep58 - Springsteen: Deliver Me from Nowhere - David Giammarco, Eric A Norris & Tod A Maitland
    Dec 26 2025
    Supervising Sound Editor / Re-Recording Mixer – David Giammarco, Supervising Sound Editor - Eric A. Norris and Production Sound Mixer – Tod A. Maitland some of the team behind the sound for "Springsteen: Deliver Me from Nowhere" in conversation with Martyn Harries AMPS. Find out the team's favorite moments and their biggest challenges and lso why Tod records with 6 lavs on an actor! Thank you to Isabell Derr and Azimuth for their help in preparing this episode.
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    30 mins
  • Ep57 - Nuremberg - Ulrika Akander, Michael Babcock, Joe Dzuban & Balázs Varga

    Ep57 - Nuremberg - Ulrika Akander, Michael Babcock, Joe Dzuban & Balázs Varga
    Dec 23 2025
    Martyn Harries AMPS in conversation with Ulrika Akander - Dialogue Supervisor, Michael Babcock - Supervising Sound / Re-Recording Mixer, Jo Dzuban - Re-Recording Mixer, and Balázs Varga - Production Sound Mixer about their work on James Vanderbilt's film "Nuremburg", the challenging sets and the attention to detail involved with a period piece. Please Note - There is a technical problem with Joe's mic at 29'40" but we thought his answer was important and needed including Thank you to Kate Davis AMPS and Azimuth for help with the edit and mix.
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    36 mins
  • Ep56 - Hedda - Judi Lee-Headman

    Ep56 - Hedda - Judi Lee-Headman
    Dec 23 2025
    Louise Burton AMPS in conversation with Judi Lee-Headman AMPS, CAS - Production Sound Mixer on Nia DaCosta's film "Hedda". Hear why Judi spent all her time in the "dog house" and how 3D printing saved the day for the dialogues.
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    18 mins
  • Ep55 - F1 - Gareth John, Al Nelson and Gwen Whittle

    Ep55 - F1 - Gareth John, Al Nelson and Gwen Whittle
    Dec 18 2025
    Jake Whitelee AMPS talks with some of the team behind the epic soundtrack of F1 the movie. AMPS Award winning Production Sound Mixer Gareth John AMPS, and Supervising Sound Editors Al Nelson and Gwen Whittle. Hear what it was like to be filming on a live Formula One racetrack, how to mic up an F1 engine, and how Lewis Hamilton feels while he’s driving that fast. You can watch F1 now on Apple TV. Thanks to Kate Davis AMPS and Azimuth Post Production for the record and edit.
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    37 mins
  • Ep54-The Testament of Ann Lee - Steve Single and Andy Neil

    Ep54-The Testament of Ann Lee - Steve Single and Andy Neil
    Dec 10 2025
    Steve Single - Sound Supervisor, Re-recording Mixer and Andy Neil - Sound Design and Re-recording Mixer in conversation with Martyn Harries AMPS about the challenges of Mona Festvold’s latest film The Testament of Ann Lee. A musical with a difference with challenging scenes weaving in and out of historical drama, music and chanting, and some wonderful atmospheres and FX. Find out what made the cast very ill, the team’s favourite moments and the most challenging scenes. Edit and Mix by Isabell Derr at Azimuth Post Production https://azimuth.tv/
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    24 mins