Before rock-n-roll started taking America by storm in the 1950s, you wouldn’t find a minister or holy roller anywhere in the country who didn’t refer to the blues as the “Devil’s Music.”

During the Middle Ages, the Church told people that any kind of music that wasn’t about God was the work of the Devil. That became a popular refrain for church leaders – then and sometimes now. By the early twentieth century, it was jazz music – linked to the blamed of Storyville – that was being blamed for lewd and lascivious behavior.

Jazz seemed really bad – but then came the blues -- a form of music with an angry, wicked sound that conjures up visions of dive bars, pool halls, graveyards, and an abandoned crossroads in Mississippi where the Devil just might be waiting for the next hopeful guitar player to come along, looking for fame and fortune.

Then, with the blending of blues, country, hillbilly music, and more, rock-n-roll was born. It’s evolved in many ways over the years – but it’s always been trouble.

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This episode was written by Troy Taylor

Produced and edited by Cody Beck

After keeping a low profile in the previous decade, the Devil made a comeback in the 1940s, when soon-to-be-war-weary audiences were both diverted and disturbed by satanic entertainment. Thanks to the darkness lurking in the world during those years, we shouldn’t be surprised to find there were a number of genuinely ominous visions of evil captured on celluloid at the time.

Reflecting on those terrible years of global bloodshed, the dawning of the nuclear age, and the years of exhaustion that followed the war, we find that many of the satanic films of the 1940s present a darkly pessimistic view that leaves no doubt that humanity really doesn’t need the Devil to encourage it to do evil.