Hello! Another Kasterborous chat for you this week with the full team of Christian Cawley, James McLean, and Brian Terranova.

This time, we're bringing together three conversations about television past and present — from the frustrations of streaming to Doctor Who edits and the decidedly different world of 1970s superheroes.

First, has streaming actually made it harder to discover good television? With programmes scattered across an ever-growing collection of services, we look at how finding something to watch has changed — and whether we've lost something from the days when you could simply stumble across a great programme.

Then we turn to Doctor Who. If you could go back to the original material and make your own edit, what would you change? Which stories could benefit from a little judicious cutting, rearranging or reconsideration?

Finally, it's back to the 1970s and two very different attempts to bring Marvel superheroes to television: Spider-Man and The Incredible Hulk. Long before the MCU established what audiences expect from live-action superheroes, television had its own ideas about how these characters should work.

Three conversations, one extended edition of Kasterborous.

In this edition:

• Has streaming killed the accidental discovery of great television?

• The problem with programmes being scattered across multiple services

• What would we re-edit in classic Doctor Who?

• Looking back at television with the benefit of hindsight

• The strange world of 1970s live-action Spider-Man

• Bill Bixby, Lou Ferrigno and The Incredible Hulk

• How superhero television changed long before the MCU

With Christian Cawley, James McLean and Brian A. Terranova. This edition is available as a video on our Patreon, with shorter videos on our YouTube channel.

The conversation continues beyond Doctor Who this week as Christian Cawley and James McLean turn their attention to the changing world of film, gaming, and digital entertainment.

Starting with the prospects for DC Studios’ Supergirl and the current state of superhero cinema, the discussion broadens into the future of the cinema experience, the decline of physical media, and what it really means to own the films and games we pay for.

Along the way, they consider whether streaming has changed our relationship with entertainment forever, why Blu-rays and boxed games still have a place on the shelf, and whether services like Steam have fundamentally altered consumer expectations.

Also discussed:

• Is superhero fatigue really to blame for declining cinema audiences?

• DC Studios, Marvel Studios and the challenge of rebuilding franchises.

• Why some films still deserve to be seen on the big screen.

• The continuing appeal of Blu-ray and other physical media.

• Sony’s changing approach to physical PlayStation releases.

• Steam, digital ownership and the risks of an all-digital future.

• Evercade and the resurgence of physical retro gaming.

• Windows 11, ageing hardware and planned obsolescence.

The full uncut edition of this week’s podcast discussions can be found on our Patreon, along with the Kasterborous Archive.

Doctor Who artist Lee Sullivan joins Christian Cawley to look back on a career that has spanned Transformers, Marvel UK, Doctor Who Magazine, and some of the most memorable comic strips of the Seventh and Eighth Doctor eras.

Beginning with his childhood love of comics and Gerry Anderson, Lee explains how an ambition to become a comic strip artist eventually led him from British Aerospace to Marvel UK, where he cut his teeth drawing Transformers before unexpectedly becoming one of Doctor Who's defining artists.

The unedited interview is available on our Patreon.

The conversation explores the creative process behind classic Doctor Who Magazine strips, the challenges of sequential storytelling, and the evolution of the comic throughout the Wilderness Years and beyond.

Along the way, Lee discusses:

• How Transformers became his first professional comic strip work.
• Breaking into Marvel UK and working with editors including Richard Starkings.
• Becoming a Doctor Who artist during the programme's 25th anniversary.
• The enduring popularity of the Seventh Doctor comic strips.
• Bringing the Eighth Doctor to life in comic form.
• Storytelling techniques, page layouts and visual pacing.
• Working on graphic novels, illustrations and Doctor Who publications beyond the comic strip.
• Why Doctor Who has remained such a constant throughout his career.

Whether you discovered Lee Sullivan's artwork through Doctor Who Magazine, Marvel UK's Transformers, or later Doctor Who books and illustrations, this interview offers a fascinating insight into one of the franchise's most recognisable artists.

Learn more about Lee Sullivan and his work: https://leesullivanart.co.uk/