Wow. Seth and Marc listen to the single Hey Mister by Custom. Truly detestable, this song was banned from MTV after they labeled the song and video "pedophilic and offensive to women". I think that's all we need to say about that.

The guys celebrate Memorial Day with the best-selling female artist of all time and her song Like A Prayer. This song has it all.. double entendres, gospels choirs, and.... mentions of children?

Seth and Marc talk about the earworm Virtual Insanity by Jamiroquai. A danceable tune that ends up being about a fear of a dystopian future where people live underground and people are changing the color of their babies. Wait, what?

Seth and Marc are forced to listen to Sexy Little Thing by "superband" Chickenfoot; some of your least favorite parts of mostly mediocre bands. Take a trip with them as they try to uncover what some of this means and face the parts that are, unfortunately, all too clear.

Seth and Marc discuss the manipulative tactics of Scotland's own Del Amitri and their incel-esque hit Roll To Me. We learned all kinds of interesting things like there is no one in the band named Del Amitri, they're Scottish, and they've been around much longer than we knew.

WARNING - We discuss sexual abuse in this episode. If that is a topic you want to avoid, we will be back with a more light-hearted episode next week. Seth and Marc talk about the disturbing lyrics of Tool's first single Prison Sex. This isn't a funny one and may go down as the biggest downer episode in the history of the podcast, but any lyrics that include "shit, blood, and cum on my hands" should be discussed at least a bit.

Seth and Marc invite very special guests Tim and Joee back on to tackle the nightmare that is Walk Like An Egyptian by all-female supergroup The Bangles. Marking the beginning of the end of the band, this a confusing note to go out on. One part dance craze, one part social commentary, but whole parts steaming hot turd.

Special Guests: Joee Patterson and Tim Clark.

The guys once again turn to the oeuvre of Steve Miller and his band with the laid back jam Fly Like An Eagle. Is it really as deep as they seem to think it is? And would it have packed more punch if it kept its original context?