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Lyttelos – The Listening Body

Lyttelos – The Listening Body

Written by: annabelguaita
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I am a classical pianist with an artistic doctorate and an active performing career. My work explores listening as a shared, embodied practice, and — grounded in phenomenology and neuroscience, and shaped by my own experience with Parkinson’s — investigates how music can influence perception, movement, and experience.

Jeg er klassisk pianist med en kunstnerisk doktorgrad. Jeg jobber som utøvende musiker men er også opptatt av lytting som en delt og kroppslig praksis. Med utgangspunkt i fenomenologi og nevrovitenskap – og med egen erfaring med Parkinson – undersøker jeg hvordan musikk kan påvirke persepsjon, bevegelse og erfaring i møte med sykdommen.

Copyright 2023 All rights reserved.
Music
Episodes
  • Stillness in a Noisy World – with Piotr Marcinów
    Jun 12 2026

    Norsk (engelsk under) Piotr og Annabel har lyst til å lage en serie podcastepisoder der vi utforsker hva det vil si å lytte — til hverandre, til musikk, til kroppen og sinnet, og til verden rundt oss.

    Gjennom ærlige samtaler, guidede meditasjoner, personlige historier og refleksjoner undersøker vi hva det betyr å være virkelig til stede — i oss selv, med hverandre og midt i det vanlige livet.

    Samtalene våre beveger seg mellom filosofi og levd erfaring: fra pust og oppmerksomhet til sykdom, musikk, lidelse, ro, oppvåkning og utfordringen med å holde seg forankret i en støyende og rastløs verden.

    Annabel, som er musiker og forsker og lever med Parkinsons sykdom, bringer inn refleksjoner fra egne erfaringer med den forandrende kroppen, oppmerksomhet, sårbarhet, musikk og søken etter nærvær i hverdagen.

    I den aller første episoden begynner vi ganske enkelt der vi er: med spenning, pust, lyder fra omgivelsene, vandrende tanker og forsøket på å lytte innover.

    Piotr leder en meditasjon mens Annabel reflekterer over hva som skjer i sinnet når stillheten blir avbrutt av rytme, støy, motstand og oppmerksomheten selv. Sammen utforsker vi om meditasjon handler om å flykte fra livet — eller om å lære å møte det på en annen måte.

    Fra Cala de Mijas, utenfor Málaga i Spania — velkommen.

    English Piotr and Annabel would like to create a series of podcast episodes exploring what it means to listen — to each other, to music, to the body and mind, and to the world around us.

    Through honest conversations, guided meditations, personal stories, and reflections, we investigate what it means to be truly present — within ourselves, with one another, and in the middle of ordinary life.

    Our conversations move between philosophy and lived experience: from breath and awareness to illness, music, suffering, calm, awakening, and the challenge of staying grounded in a noisy and restless world.

    Annabel, a musician and researcher living with Parkinson’s disease, brings reflections from her own experience of the changing body, attention, vulnerability, music, and the search for presence in everyday life.

    In the very first episode, we simply begin where we are: with tension, breath, sounds from the surroundings, wandering thoughts, and the attempt to listen inward.

    Piotr guides a meditation while Annabel reflects on what happens in the mind when silence is interrupted by rhythm, noise, resistance, and attention itself. Together, we explore whether meditation is about escaping life — or learning how to meet it differently.

    From Cala de Mijas, outside Málaga, Spain — welcome.

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    24 mins
  • Body, breath and Music
    Mar 29 2026

    Lyttelos – The Listening Body

    In this episode, I talk with Finn Upham (RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion) about what happens in the body when we listen to music.

    Starting from a research concert in Oslo—where audience members’ breathing, heart rate, and movement were measured—the conversation explores how listening is not just mental or emotional, but deeply physical.

    Why do we sometimes hold our breath in music? How can listeners unconsciously breathe with performers? And what does this reveal about music as a shared, human experience?

    From Beethoven's Moonlight Sonata to experimental listening practices, this episode invites you to rediscover music through the body.

    Finn Upham is a researcher in music cognition and music psychology, with a particular focus on how the body responds to music. He is a postdoctoral researcher at RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo, where he studies the relationship between music, breathing, heart rate, and movement, as well as the interaction between performers and audiences.

    In his research, he explores how listeners do not only hear music, but also physically participate in it, for example through breathing and bodily resonance. He has a background as a musician, with experience in singing and wind instruments, and combines this with a strong foundation in mathematics and analytical methods.

    Through his work, he contributes to a deeper understanding of how music is experienced in the body, and how listening is an active, embodied, and fundamentally human process.

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    40 mins
  • Phenomenology of Music with Jordi Mora Ep 5
    May 5 2024
    There is a way to listen to music so it touches the very core of yourself. I was so fortunate to discover this almost 30 years ago through the teachings of the Spanish conductor Jordi Mora. With these five newly made conversations with him, I invite you to a very special journey into this fascinating and deeply moving world of music. His unique teachings opens up the inner world of music in a way that creates connections to our life experiences as a human being. I met up with him in Barcelona to once again delve into the fascinating world of phenomenology of music, as this approach is called. The result are these 5 podcast episodes. I hope you will feel inspired after listening to it! Annabel Guaita is frequently touring in Norway and abroad with the concert lecture: The Art of Listening- the inner journey through music For feedback, questions or booking: post@lyttelos.no Subscribe on YouTube: www.youtube.com/@AnnabelGuaita Episode 5 Summary of the essential ideas. Summary In this final episode of the conversations with Jordi Mora, we revisited the main points we discussed throughout our conversation on musical phenomenology. We delved into the essence of phenomenology, emphasizing the importance of understanding the deep but simple ideas behind it. We explored how phenomenology helps us grasp the cosmic relationships present in music, showing the interconnectedness of human beings, nature, and music. We analyzed music pieces by Schumann and Schoenberg, highlighting how the cosmic principles remain consistent across various musical genres and styles. We focused on the importance of recognizing subtle variations in tension, culminations, and repetitions in music to achieve a unified, harmonious piece. The conversation emphasized the significance of understanding the cosmic nature of music, transcending cultural boundaries and traditional harmony. By applying the principles of phenomenology to music, we deepen our awareness of the universal connections present in all musical compositions. Ultimately, we celebrated the enduring fascination and continual inspiration found in exploring the intricacies of music through the lens of phenomenology, highlighting the timeless and boundless nature of musical expression and interpretation. 0:00:15 Introduction to Musical Phenomenology 0:06:04 Phenomenology as a Tool in Music Understanding 0:18:05 The Importance of Musical Culmination 0:31:44 Exploring Musical Relationships in Harmony 0:39:31 Understanding the Building of Articulations 0:49:06 Exploring Tension and Release in Music 0:56:34 Essence of Music and Phenomenology 1:00:40 Applying Phenomenology to All Music Genres JORDI MORA, conductor Born in Barcelona, he begins his musical studies at the city's Music Conservatory. He graduates at the Höchschule für Musik in Würzburg as an oboist, and graduates in Musicology and Philosophy at the University of Munich with the thesis "Organisation of the vertical functions in the instrumentation of the symphonic work by Beethoven". He studies orchestra conducting and phenomenology of music primarily with Sergiu Celibidache, and he has attended masterclasses and conducting courses at the University of Mainz, the Münchner Philarmoniker in Munich, and other courses in Trier, London, Stuttgart, and Paris. He has been principal conductor of the National Orchestra of Greece and of the Orquestra Simfònica del Vallès. He regularly conducts orchestras in Germany, Spain, France, the United States, Russia, Romania, Greece, Argentina and Venezuela as a guest conductor. At the same time, he is also involved in many pedagogical projects, especially in Argentina (Fundación Cultural), Switzerland, Spain, Italy and Germany. In 2004 he became professor of orchestra conducting at the Escola Superior de Música de Catalunya (ESMUC )and from 2010 to 2015, guest professor at the Grieg Akademy in Bergen (Norway). He is currently conductor of the Symphony Orchestra of "Segle XXI" and of the Bruckner Akademie Orchester. With this last orchestra, he is performing the complete symphonic works of this composer. He was appointed as principal guest conductor of the Orchestre Philharmonique du Lebanon (LPO) and Franz Schubert Philharmonie as well. Contact www.jordi-mora.com jordimoragriso@gmail.com
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    1 hr and 4 mins
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