How Roman Britain ended is one of the most controversial questions in British history. Unique among former Roman citizens in Western Europe, the Britons established long-lived kingdoms, resisting 'barbarian' political takeover for centuries. Yet so little is known of them from written records that even the names of most of their kings are effectively lost to history.

Packed with the latest discoveries and ground-breaking research, in Tyrants and Traders: Tintagel, Arthur and the Lost Kings (Bloomsbury, 2026) Professor Ken Dark brings the fascinating, but mysterious, world of these rulers and their kingdoms to life. Archaeological evidence, along with re-analysis of the few existing texts, reveals an unexpectedly sophisticated society, connected to a wider international network of trade and cultural contacts than might until recently have seemed imaginable. Professor Dark demonstrates through the latest archaeological discoveries that Tintagel – an eroded coastal stronghold in Cornwall, closely associated with the later legend of King Arthur – was a royal fortress and trading centre of one of the most important British kingdoms of this period.

This is a historical period filled with memorable characters and stories: from the outraged churchman Gildas, attempting to reform the corrupt rulers he thought threatened civilized life itself, to St. Patrick, who played a major part in converting Ireland to Christianity, to no less than King Arthur – whose historical existence Professor Dark shows to be much more likely than usually supposed.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Strange and Familiar History of Byzantine Ar: Interpretation, Risk, and Empathy (ARC Humanities Press, 2026) represents a risky experiment in art-history writing. It takes objects of Byzantine art—manuscript illustration, frescos, mosaic, sculpture—and reads them through the lenses of disability studies, media studies, and gender studies in order to reveal something about their significance not only in that historical culture, but also in our own. Moreover, it uses lenses of personal history and self-reflection as a way to model an open-ended and faceted art history. Modern works of film, fiction, and art likewise appear frequently so that the Byzantine objects can emerge as both more strange and more familiar, and as both of the past and of our world. Their capacity for holding multiple times, generating multiple meanings, and for multiple subjectivities is fully embraced, and perhaps a different kind of art history emerges, one that eschews argument and mastery for humility, openness, empathy—thinking with, rather than about.

New Books in Late Antiquity is Presented by Ancient Jew Review

Glenn Peers is Emeritus Professor, Art History at University of Texas Austin and Syracuse University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In The Problem of the Devil in Cappadocian Thought (Cambridge UP, 2026), Gabrielle Thomas questions the popular assumption that the devil served as the primary explanation for evil, sin, and suffering as early Christians grappled with all that is wrong in the world. Interrogating the status of the devil in the teachings of the Cappadocians – Basil of Caesarea, Gregory of Nazianzus, Gregory of Nyssa, and Macrina the Younger – she identifies their points of agreement, that the devil is a fallen angel, and disagreement, notably how Christ defeated him, his continued existence, and his ultimate end. In her investigation, Thomas engages fourth-century Christian thought in conversation with ancient philosophy, ancient history, classics, and biblical studies. She demonstrates how the Cappadocians negotiated myriad philosophical, theological, and spiritual problems with the devil. Thomas argues that the devil is not simply a strategy for explaining the problem of evil. Rather, the devil himself is the problem.

New Books in Late Antiquity is Presented by Ancient Jew Review

Gabrielle Thomas, an Anglican priest, is Dean and President of Berkeley Divinity School at Yale and Professor of Early Christian, Anglican, and Theological Studies at Yale Divinity School. She is the author of The Image of God in the Theology of Gregory of Nazianzus and For the Good of the Church: Unity, Theology, and Women and co-editor of Women and Ordination in the Orthodox Church.

Michael Motia teaches in Classics and Religious Studies at Umass Boston

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.