Message Dan and Mike

Halloween Fest rolls on, and this week we're taking on the zombie apocalypse with World War Z, the 2013 blockbuster starring Brad Pitt and directed by Marc Forster. After kicking things off with Curry Barker's Obsession, we're keeping the Halloween Fest tradition going with our yearly zombie pick, following Shaun of the Dead and Night of the Living Dead. We start by setting the record straight on the online reaction to our Obsession clip, then dive into a movie we both enjoyed far more than we expected.

World War Z has one of the messiest production stories we've ever covered. Damon Lindelof was brought in to rewrite the third act, a planned Russian finale was reworked, and Matthew Fox's role was cut down to almost nothing. We also get into the reported tension between Forster and Pitt, and the bidding war that landed the film at Plan B. We talk about how little of Max Brooks' novel, the oral history of the zombie wars, made it to the screen, and what we make of the fact that Brooks ended up enjoying the film anyway.

Then we get to the movie itself. We break down the nonstop action that kicks in just minutes after the opening, the practical stunts and car crashes, the contortionists behind the zombie movement, and that wall-climbing sequence in Jerusalem. We also talk about the Tenth Man doctrine, the camouflage idea that saves the day, and the creepy Peter Capaldi scene in the WHO lab. Watching it post-COVID, the pandemic parallels land very differently than they did in 2013.

We also dig into the surprisingly low IMDb and Rotten Tomatoes scores, how the film grossed over $500 million, the sequel news, the theatrical cut versus the unrated cut, and where Brad Pitt sits among the great movie stars. Plus, Dan's recommendation if you want another intense zombie ride: Train to Busan.

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Message Dan and Mike

Halloween Fest kicks off with Obsession, the 2026 horror breakout that has grossed over $500 million worldwide on a budget under a million dollars. We dig into how Curry Barker went from YouTube shorts to one of the biggest horror hits of all time, and whether the movie lives up to the hype.

Curry and his comedy partner Cooper Tomlinson built a huge audience with their YouTube channel, That's a Bad Idea. A short film called The Chair got a producer's attention, Curry pitched the script he was already writing, and the project went on to premiere at the Toronto International Film Festival, where Focus Features landed it in a bidding war. We talk about the marketing too, including the One Wish Willow, the prop at the center of the story that fans could actually buy. We also break down the film's unusual box-office run, which kept growing in weeks three and four instead of falling off.

Then there's the movie itself, and we don't fully agree. I'm a slasher fan and wanted more jump scares, while Mike leans toward psychological thrillers and was hooked for the first hour. We get into the tension-without-payoff approach, the over-the-top performance of the obsessed love interest, the moments that got laughs in theaters, and the dark, all-indoors look. We also share what we picked up from the commentary and featurette, including the Unreal Engine storyboarding, the Simpsons "Treehouse of Horror II" inspiration, and the breakaway glass shot that nearly didn't happen.

Along the way, Mike shares stories from his days as a haunted attraction actor in Orlando, we talk about Rocky and the value of taking risks, and we look at where Obsession ranks among the highest-grossing horror films ever.

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Message Dan and Mike

Dan finally crosses a massive blind spot off his list in this Classic Films Dan Hasn't Seen Yet deep dive: Quentin Tarantino's Kill Bill, seen here as The Whole Bloody Affair, the rare combined cut stitching Volumes One and Two into the single epic Tarantino always intended. We dig into why it took over two decades to get this version cleared for release, the rights battle that held it up, and the extended anime sequence and restored footage that separate it from the theatrical cuts.

Mike breaks down the film's mountain of homages to 1970s kung fu and Japanese cinema, the casting history that almost gave us Warren Beatty, Jack Nicholson, Kurt Russell, or Mickey Rourke as Bill (and why Kevin Costner turning it down worked out great for Open Range fans), and the wild behind-the-scenes trivia, including Uma Thurman's injured stunt double who hid it to avoid getting cut from the film, and the real sword-and-baseball stunt that wasn't a visual effect at all.

We talk Robert Richardson's cinematography, the late Sally Menke's editing, the RZA and Robert Rodriguez score, and Sonny Chiba's legendary dual role. Dan and Mike also get into the writing itself, arguing Tarantino's screenwriting doesn't get enough credit next to his directing, and land on the same verdict: this is an epic on the level of The Godfather, and an absolute must-see.

Plus, a shoutout to The Church of Tarantino podcast, and a first look at what's coming for Halloween Fest on the Oh Brother Podcast.

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