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A yearslong battle that involved a notorious baseball manager, a marshmallow salesman and a few swinging punches comes to a resolution at a dive bar in Pennsylvania.

Mimi Kmet directs a cast that includes Matt Foyer as Daniel, Goreti da Silva as Barb, Kenajuan Bentley as Pete, and Gary Lamb as the Cop.

Judith Isacoff is the playwright. She is the author of the books Adventures in Tuscany and Working Girl’s Guide to Hong Kong, as well as several short plays, including Vietnam Wives. She is a graduate of the University of Missouri-Columbia.

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Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...

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Gifted and successful novelist, Archie Lovecraft, is overworked and over stressed. He drinks too much and feels enormous pressure to stay on top in the literary world. In addition, he hates technology and denounces it at every turn. His best friend and I.T. specialist, George, is desperately trying to bring Archie into the 21st century and rid him of his old- school ways. One Halloween afternoon, Julia, Archie's computer, has somehow come to life and starts verbally berating him. Will this talented writer be able to win this “war of words?”

Dennis Gersten directs Allan Wasserman as Archie, Tezz Yancey as George, and Marine de Vachon as Julia.

Samuel Sardina is the playwright. His newest play, Lucky Numbers, debuted in New Jersey in February. He is also a producer.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...

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The Fall: High on the last branch of an oak tree, two aging leaves cling to one another on the last day of autumn. As others have already fallen, they reflect on warmth, beauty, and the terrifying mystery of what comes next. Their quiet conversation becomes a meditation on life, love, and loss.

Bernadette Armstrong directs Camille Ameen as Leaf #1 and Gloria Tsai as Leaf #2. Bart Lovins is the playwright. His other plays include Keep the Faith and Pass the Fettuccini, and four Sherlock Holmes plays, The Sign of Four, A Study in Scarlet, The Valley of Fear, and The Hound of the Baskervilles. He is also an actor and director.

A Cup of Jo: A waitress at a diner is fascinated by a handsome and alluring nightly customer named Vlad.

Bernadette Armstrong directs Leona Lovemoor as Jo and Peter Bonoff as Vlad.

Leona Lovemoor is the playwright. She is also an artist and actor.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...