Episodes

  • Poems-Edna St. Vincent Millay

    Poems-Edna St. Vincent Millay
    Sep 9 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    1 hr and 56 mins
  • Raven and Other Poems-Edgar Allan Poe

    Raven and Other Poems-Edgar Allan Poe
    Sep 8 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    35 mins
  • Prophet (version 3)-Kahlil Gibran

    Prophet (version 3)-Kahlil Gibran
    Sep 7 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    1 hr and 18 mins
  • Selected Poems-Dante Gabriel Rossetti, Christina Rossetti

    Selected Poems-Dante Gabriel Rossetti, Christina Rossetti
    Sep 6 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    1 hr and 49 mins
  • Lullaby-Land Songs of Childhood-Eugene Field

    Lullaby-Land Songs of Childhood-Eugene Field
    Sep 5 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    55 mins
  • Vision of Piers the Plowman (Warren translation)-William Langland

    Vision of Piers the Plowman (Warren translation)-William Langland
    Sep 4 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    4 hrs and 38 mins
  • Borough-George Crabbe

    Borough-George Crabbe
    Sep 3 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    8 hrs and 35 mins
  • Songs by the Sea-Rebecca Ruter Springer

    Songs by the Sea-Rebecca Ruter Springer
    Sep 2 2026
    Born in 1878, Thomas published his first book when he was 18. Having married while still at university, he supported his family by writing articles and books, some in the form of what we might call slow travel writing, compiled on walks throughout England and Wales. He came to poetry late, encouraged by Robert Frost, and wrote 144 poems between 1914, and 1917 when he was killed, two years after enlisting, and shortly after arriving in France. His poetic life coincided with WW1, and though not a war poet, his is the poetry of loss, of life as it would never be again. What is powerful to the English imagination is his depiction of the fragility of the English countryside. This is inseparable from his deep understanding of the longings and regrets of those who would die. Transience and mortality are at the heart of his work. This is true in one of the country’s favourite poems, to be found on this recording: Adlestrop. He is important to other poets in that, at his best, his poetry is quietly, sometimes coldly, conversational, with a slow beat that takes us with him as he thinks through from line to line, and wraps us in his vision of life and the natural world. (Summary by Judith Brennan)
    Show More Show Less
    1 hr and 4 mins