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Prose and Cons

Prose and Cons

Written by: Olivia Hudson
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About this listen

Prose and Cons is a literature and pop culture podcast designed to allow hosts Olivia and Jessica to explore the various good and bad aspects of all things related to books and media. This podcast started as a final project for ENGL 624: Cultures of Captivity with Dr. Catherine Ingrassia at VCU, but we hope for it to continue after the class ends.Olivia Hudson Art
Episodes
  • S1E3: The Noble Slaves
    May 5 2022

    Heeeeeey listeners! Our third installment in the Captivity as Romance mini-series is The Noble Slaves. As always, our sources are below!

    • Aubin, P.(1736). The noble slaves: Or, The lives and adventures of two lords and two ladies, who were shipwreck'd and cast upon a desolate island near the East-Indies, in the year 1710. Printed for John Dempsy. https://link.gale.com/apps/doc/CB0126864211/ECCO?u=viva_vcu&sid=bookmark-ECCO&xid=80b687e6&pg=1
    • Burnham. (1997). Captivity & sentiment : cultural exchange in American literature, 1682-1861. University Press of New England
    • Castiglia. (1996). Bound and determined : captivity, culture-crossing, and white womanhood from Mary Rowlandson to Patty Hearst. University of Chicago Press.
    • Castiglia. (1989). In praise of extra-vagant women: hope leslie and the captivity romance. Legacy (Amherst, Mass.), 6(2), 3–16.
    • Gollapudi. (2005). Virtuous Voyages in Penelope Aubin’s Fiction. Studies in English Literature, 1500-1900, 45(3), 669–690. https://doi.org/10.1353/sel.2005.0028
    • Howe, & Cook, S. E. (2019). Representing kink : fringe sexuality and textuality in literature, digital narrative, and popular culture. Lexington Books.
    • Kaler, A. K., & Johnson-Kurek, R. E. (1999). Romantic conventions. Bowling Green State University popular Press.
    • Kugler. (2012). Sway of the Ottoman Empire on English identity in the long eighteenth century. Brill.
    • MacDonald. (2002). Women and race in early modern texts. Cambridge University Press.
    • McCafferty. (1994). Palimpsest of Desire: The Re-Emergence of the American Captivity Narrative as Pulp Romance. Journal of Popular Culture, 27(4), 43–56. https://doi.org/10.1111/j.0022-3840.1994.2704_43.x
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    30 mins
  • S1E2: Inkle and Yarico
    May 5 2022

    Heeeeey listeners! This episode is about Inkle and Yarico. Check out our sources below!

    Burnham. (1997). Captivity & sentiment : cultural exchange in American literature, 1682-1861. University Press of New England.

    Castiglia. (1996). Bound and determined : captivity, culture-crossing, and white womanhood from Mary Rowlandson to Patty Hearst. University of Chicago Press.

    Castiglia. (1989). In praise of extra-vagant women: hope leslie and the captivity romance. Legacy (Amherst, Mass.), 6(2), 3–16.

    Colman, G. (1787). Inkle and Yarico: An opera, in three acts. As performed at the Theatre-Royal in the Hay-Market, on Saturday, August 11th, 1787. Printed for G.G.J. and J. Robinson, Pater-Noster-Row. https://link.gale.com/apps/doc/CB0127139637/ECCO?u=viva_vcu&sid=SERVICE_ID&xid=5a3d15ac&pg=1

    Dembowitz. (2022). Retracing the Black Venus: Figures of Intimate Commerce in the Atlantic World. ProQuest Dissertations Publishing.

    Kaler, A. K., & Johnson-Kurek, R. E. (1999). Romantic conventions. Bowling Green State University popular Press.

    MacDonald. (2002). Women and race in early modern texts. Cambridge University Press.

    McCafferty. (1994). Palimpsest of Desire: The Re-Emergence of the American Captivity Narrative as Pulp Romance. Journal of Popular Culture, 27(4), 43–56. https://doi.org/10.1111/j.0022-3840.1994.2704_43.x

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    28 mins
  • SIE1: Oroonoko
    May 5 2022

    Heeeeey listeners! Here are the sources we used to create this episode on Oroonoko:

    • Behn, A., 1640-1689. (1688). Oroonoko, or, the royal slave: A true history. London, Printed for Will. Canning  http://proxy.library.vcu.edu/login?url=https://www.proquest.com/books/oroonoko-royal-slave-true-history-mrs-behn/docview/2240918305/se-2?accountid=14780
    • Gqola. (2001). “Where There Is No Novelty, There Can Be No Curiosity”: Reading Imoinda’s Body in Aphra Behn’s “Oroonoko or, the Royal Slave.” English in Africa, 28(1), 105–117.
    • Kaler, A. K., & Johnson-Kurek, R. E. (1999). Romantic conventions. Bowling Green State University popular Press.
    • Lyndon J. Dominique. (2020). Imoinda’s Shade: Marriage and the African Woman in Eighteenth-Century British Literature, 1759–1808. Ohio State University Press. https://doi.org/10.2307/j.ctv16f6jcb
    • McCafferty. (1994). Palimpsest of Desire: The Re-Emergence of the American Captivity Narrative as Pulp Romance. Journal of Popular Culture, 27(4), 43–56. https://doi.org/10.1111/j.0022-3840.1994.2704_43.x
    • Southerne, T., 1660-1746. (1696). Oroonoko: a tragedy, as it is acted at the theatre-royal by his majesty's servants. London, Printed for H. Playford, B. Tooke, and S. Buckley. http://proxy.library.vcu.edu/login?url=https://www.proquest.com/books/oroonoko-tragedy-as-is-acted-at-theatre-royal-his/docview/2248514325/se-2?accountid=14780

    Website: https://prosenconspod.wixsite.com/website

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    32 mins
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