Heeeeey listeners! This episode is about Inkle and Yarico. Check out our sources below!
Burnham. (1997). Captivity & sentiment : cultural exchange in American literature, 1682-1861. University Press of New England.
Castiglia. (1996). Bound and determined : captivity, culture-crossing, and white womanhood from Mary Rowlandson to Patty Hearst. University of Chicago Press.
Castiglia. (1989). In praise of extra-vagant women: hope leslie and the captivity romance. Legacy (Amherst, Mass.), 6(2), 3–16.
Colman, G. (1787). Inkle and Yarico: An opera, in three acts. As performed at the Theatre-Royal in the Hay-Market, on Saturday, August 11th, 1787. Printed for G.G.J. and J. Robinson, Pater-Noster-Row. https://link.gale.com/apps/doc/CB0127139637/ECCO?u=viva_vcu&sid=SERVICE_ID&xid=5a3d15ac&pg=1
Dembowitz. (2022). Retracing the Black Venus: Figures of Intimate Commerce in the Atlantic World. ProQuest Dissertations Publishing.
Kaler, A. K., & Johnson-Kurek, R. E. (1999). Romantic conventions. Bowling Green State University popular Press.
MacDonald. (2002). Women and race in early modern texts. Cambridge University Press.
McCafferty. (1994). Palimpsest of Desire: The Re-Emergence of the American Captivity Narrative as Pulp Romance. Journal of Popular Culture, 27(4), 43–56. https://doi.org/10.1111/j.0022-3840.1994.2704_43.x