Reel Talk #10 is happening on Saturday, February 21. If you're in the New York area, join me and North Carolina rapper Lord Jah-Monte Ogbon for a screening of the T.I.-starring classic ATL, followed by an interview and audience Q&A. Doors at 6, film starts at 7. Tickets are $15 and can be purchased here via Posh or at the door the day-of. This iteration of Reel Talk operates on sliding scale admission, so if price is an issue, please message me directly and we can figure it out.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is Chicago rapper-producer Chris Crack. We spoke about the 1993 survival movie Alive, Toy Story, Friday, Collateral, falling in love with R&B, growing up between Chicago and Mississippi, being inspired by standup comedy, getting more serious about producing, his outrageous song titles, and the creative process behind several of his albums, particularly Too Late To Start Following The Rules Now, out now via Fools Gold. Come fuck with us.

Too Late To Start Following The Rules Now is available wherever music is sold, streamed, or stolen. Consider copping directly from Chris's Bandcamp page. Follow Chris Crack on Instagram, Twitter, and TikTok (@ChrisCrackNDC).

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Reel Talk #10 is happening on Saturday, February 21. If you're in the New York area, join me and North Carolina rapper Lord Jah-Monte Ogbon for a screening of the T.I.-starring classic ATL, followed by an interview and audience Q&A. Doors at 6, film starts at 7. Tickets are $15 and can be purchased here via Posh or at the door the day-of. This iteration of Reel Talk operates on sliding scale admission, so if price is an issue, please message me directly and we can figure it out.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest for the season 6 premiere is DC rapper, producer, and visual artist Obii Say. We spoke about The Platform, Menace II Society, rewatching hood classics once you get older, Willy Wonka & The Chocolate Factory, his love-hate relationship with making music over a nearly 20-year career, how working in visual art inspires his raps and beats, forging a relationship with Chuck Strangers, and the creative process behind his latest album Public Access Television, available now exclusively on Bandcamp. Come fuck with us.

Public Access Television is available exclusively on Obii's Bandcamp. Follow Obii on Twitter and Instagram (@obiisay) and check out his artwork on the Loudmouth website.

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more!

My guest for the season five finale is D.C. rapper and model El Cousteau. We spoke about The Godfather series, The Sopranos, The Wood, The Best Man, putting on for Black cinema, coming up in the D.C. rap scene, his modeling career, his connections to A$AP Rocky and MIKE and his 10k Global label, solidifying his sound, and the creative process behind his last two projects—Merci, Non Merci and this past summer’s Dirty Harry 2. Thank y’all so much for a fantastic season 5, now for the last time this year, come fuck with us.

Dirty Harry 2 is available now wherever music is sold, streamed, or stolen. Follow Cousteau on Instagram, Twitter, and TikTok: @elcousteau

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Support the show