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The Edinburgh University Press Podcast

The Edinburgh University Press Podcast

Written by: New Books Network
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Interviews with authors of Edinburgh UP books.New Books Network Art World
Episodes
  • Benjamin Dalton, "Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity" (Edinburgh UP, 2026)

    Benjamin Dalton, "Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity" (Edinburgh UP, 2026)
    May 18 2026
    Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration.
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    1 hr and 30 mins
  • Edith Szanto, "Twelver Shi'i Self-flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab" (Edinburgh UP, 2025)

    Edith Szanto, "Twelver Shi'i Self-flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab" (Edinburgh UP, 2025)
    May 7 2026
    Edith Szanto’s Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual.
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    6 mins
  • Leslie Barnes, "Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film" (Edinburgh UP, 2025)

    Leslie Barnes, "Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film" (Edinburgh UP, 2025)
    Apr 7 2026
    In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge. Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.
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    1 hr and 23 mins
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