Showing results for "4" in Poetry

Mir Amman added a novel jewel to our treasured Dastani literature by translating Khusrau’s work, originally written in Persian, into simple, everyday Urdu in his ‘Bagh-o-Bahaar’.

These are masterly readings, by renowned thespian Paul Schofield, of two substantial works of poetry by T.S. Eliot...

4 x 4 es una suerte de juego literario diseñado por el realizador sonoro Tomás Borrini para su editorial audible Sonda media, coordinado por la guionista Bibiana Ricciardi. Se trata de una invitación a cuatro autores que escriben cuatro cuentos a partir de una misma carpeta con 10 sonidos. De este modo, cada narración resulta independiente de la otra, pero en todas ellas hay un ambiente sonoro en común. ¿Qué tanto condiciona el juego al relato? Esa es una pregunta que solo podrás contestarte escuchando las historias.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

Seien Sie, Hörer ohne Furcht und Tadel, herzlich eingeladen zu einer akustischen Erlebnisreise der besonderen Art, auf welcher Ihnen in einzigartigen Interpretationen Lyrik der weltberühmtesten Dichterinnen und Dichter präsentiert wird. Musikalisch untermalt mit semi-akustischen Instrumenten (Gitarren + Bass) und intuitiver Percussion. Fusionierende Harmonien aus dem lyrischen Wort und inspirierendem Sound kitzelt Ihren Geist, animiert Ihren Humor, erregt Ihren Verstand und versetzen Sie in das Universum unserer neuen Hörbuch-Reihe "Lyrikalische Lesung".

Comprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails.

A série de audiolivros Fernando Pessoa 4 X 4 registrou em áudio os poemas de Fernando Pessoa e seus três principais heterônimos com quatro atores diferentes. Para gravar os escritos de Alberto Caieiro, convidamos o ator Alberto Guzik, que fez as gravações em 2009. Depois das gravações feitas e revisadas, em junho de 2010, Guzik faleceu. Passaram-se cinco anos de amadurecimento desta obra. A voz de Guzik está suave no áudio, amalgamada à voz de Caieiro.

Award-winning narrator Mike Vendetti recites Shakespeare's Sonnet 4....

Who was the bestselling English poet of the nineteenth century? No, not Tennyson or Byron or Wordsworth—but Felicia Hemans (1793-1835), “the most considerable woman poet of the Romantic period” and “the most notable British poet flourishing between the death of Byron and the rise of Tennyson and the Brownings” (Oxford Dictionary of National Biography, 2008). With an unfailing and seemingly effortless command of language, she voiced the deepest concerns of ordinary people, especially women, to an extent that no other writer of her time could do.

The finest voices reading a wonderful selection of poetry accompanied by selected classical music.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

Tim Key is never far from stage and screen - from Peep Show to Alpha Papa to Taskmaster. But now he's back doing what he does best - attempting to recite poetry whilst tormenting his friend and musician, the equally brilliant and long-suffering Tom Basden. From ruminating on the meaning of family via his narrative poem 'The Godfather', attempting to get to the bottom of death via his poem 'The Boy Who Faked His Own Death' and also organising an impromptu stag party, Tim Key uses poetry to help him understand every situation.

In book three of the Forbidden Doors series by Bill Myers, the local occult group, the Society, begins a campaign to destroy Becka Williams, believing Becka’s actions while exploring reincarnation were an attempt to overthrow their leader. As the campaign against Becka grows from scare tactics...

A través de los patchworks poéticos y el monólogo contemplativo de su protagonista, La civilización no era esto plantea una búsqueda de la belleza –que resulta ser pérdida, corrupción u oquedad. Lo realiza mediante "un acto íntimo entre la voz poética, que en este caso es un personaje, y su entorno, una ciudad mítica, poética y casi olvidada", en palabras de Aitana Monzón. Un claro homenaje a El cuarteto de Alejandría, de Lawrence Durrell, a partir de la memoria nómada del individuo frente a los rescoldos del pasado...

This album is the fourth in the series Ancient Poems, which recites and interprets ancient poems. Classical poetry is a genre of poetry. Judging from the number of words in the verse, there are so-called four-character poems, five-character poems, seven-character poems, and miscellaneous poems.

This album is the fourth in the series of Ancient Poems, which recites and interprets ancient words. Ancient words are a form of expression of ancient songs in words. They are the general term for classical lyrics and their changes. Literary works created according to the specific organization method based on the rhythm of ancient lyrics are also called ancient words.

A. H. Jerriod Avant’s debut collection, Muscadine, cultivates the vine of familial memory, eulogizing our collective losses while exalting the succor of this human life, how the native grape’s “thick skin [that] teeth / pierce breaks to pour // sweetly across the tongue.” Throughout, a deeply Southern sensibility balances an environmental awareness of deficit and bounty—appetite pains the stomach and delights the palette.

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction—as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons.

Rewriting Eden, Victoria Redel interrogates the idea of paradise within the historical context of borders, exile, and diaspora that brought us to the present global migration crisis. Drawing from a long family history of flight and refuge, the poems in Paradise interweave religion and myth, personal lore and nation-building, borders actual and imagined. They ask: What if what we fell from was never, actually, grace? What is a boundary, really?