Showing results for "Adam" in Biographical Fiction

Takiej powieści o Mickiewiczu jeszcze nie było! To nie jest nudna biografia wieszcza, nic z tych rzeczy. To zeznanie pewnej tajemniczej postaci. W tej niesamowitej historii narratorem jest... No właśnie – kto? Bies, licho, a może sam... diabeł, opiekujący się Adamem od kołyski w Zaosiu po istambulskie łoże śmierci? Czy bez interwencji tego czarciego ducha nie mielibyśmy wieszcza oraz Polski – Chrystusa narodów? Mickiewicz nie jawi się tu wyłącznie jako geniusz, cudowne dziecko romantyzmu. Jest mężczyzną z krwi i kości – delikatnym i uduchowionym, ale też kochliwym, burkliwym, zadufanym w sobie, równie skłonnym do uniesień, jak i konfliktów.

After midnight, Thelma Lorber enters her brother Abie’s hangout under the Williamsburg Bridge, finding Jewish mobster Louis “Pretty” Amberg in a puddle of blood on the kitchen floor. She could flee. Instead, in the dark hours of that October 1935 night before the dawn of Murder, Inc., she remains beside the fierce, funny brother who has protected her since childhood. There are many kinds of love a woman can feel for a man, but few compare to that of the baby sister for her older brother. For Thelma, a wild widow tethered to a young son, Abie is the center of her world.

Two decades after the Civil War, Josephine Marcus, the teenage daughter of Jewish immigrants, is lured west with the promise of marriage to Johnny Behan, one of Arizona's famous lawmen. She leaves her San Francisco home to join Behan in Tombstone, Arizona, a magnet for miners (and outlaws) attracted by the silver boom. Though united by the glint of metal, Tombstone is plagued by divided loyalties: between Confederates and Unionists, Lincoln Republicans and Democrats.

The year is 1143. Hildegard, already a well-known physician, has expanded her work to writing not just about medicine but on theological matters as well. Once again, the monks of St. Disibod are there to stop her, citing the biblical passages that admonish against "women teachers". Also, Abbot Kuno is aging, and it is only a matter of time before he is succeeded in the post by Prior Helenger, who wants nothing more than to see Hildegard permanently relegated to the convent's enclosure.

18 biographical dramas based on the lives and loves of celebrated writers.

Renie Lee has climbed the ladder in a man's world to be head of the Story Department at Warner Bros. Studios. Renie is an idealist who believes that "the perfect film" can be created. When she pulls an unproduced stage play set in Morocco out of the slush pile, she has a feeling this one is special, maybe not perfect but special enough to secure her place as an equal to the studio's most powerful men. No one agrees with her until two young studio writers, Julius and Philip Epstein, decide to back Renie's gamble and bring the Morocco story to the screen. Their screenplay's name: Casablanca.